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#110 : Anslo Garrick: part 2

Ecrit par: Lukas Reiter & J. R. Orci
Réalisé par: Michael Watkins

Liz s'introduit dans la prison secrète du FBI et désarme le brouilleur pour appeler des renforts mais elle rencontre des problèmes tout le long du chemin. Le destin de Ressler est en jeu quand Red essaye de négocier avec Anslo Garrick.

Popularité


4.83 - 6 votes

Titre VO
Anslo Garrick: Conclusion

Titre VF
Anslo Garrick: part 2

Première diffusion
02.12.2013

Première diffusion en France
17.09.2014

Vidéos

Bande annonce VO

Bande annonce VO

  

Photos promo

Raymond Reddington (James Spader) prisonnier de la boîte

Raymond Reddington (James Spader) prisonnier de la boîte

Elisabeth  Keen (Megan Boone) ne sait pas ce qu'il est advenu de Reddington

Elisabeth Keen (Megan Boone) ne sait pas ce qu'il est advenu de Reddington

Donald Ressler (Diego Klattenhoff), même blessé, défend son équipe

Donald Ressler (Diego Klattenhoff), même blessé, défend son équipe

Harold Cooper (Harry Lennix)

Harold Cooper (Harry Lennix)

Anslo Garrick (Ritchie Coster ) #16

Anslo Garrick (Ritchie Coster ) #16

Raymond Reddington (James Spader) tente de réveiller Donald Ressler (Diego Klattenhoff) inconscient à cause de sa blessure

Raymond Reddington (James Spader) tente de réveiller Donald Ressler (Diego Klattenhoff) inconscient à cause de sa blessure

Elisabeth Keen (Megan Boone) a perdu la trace de Reddington

Elisabeth Keen (Megan Boone) a perdu la trace de Reddington

Harold Cooper (Harry Lennix) et Meera Malik (Parminder Nagra) aux mains des hommes de Garrick

Harold Cooper (Harry Lennix) et Meera Malik (Parminder Nagra) aux mains des hommes de Garrick

Harold Cooper (Harry Lennix) ouvre la boîte contre son grè

Harold Cooper (Harry Lennix) ouvre la boîte contre son grè

Anslo Garrick (Ritchie Coster ) menace de tuer Liz (Megan Boone)

Anslo Garrick (Ritchie Coster ) menace de tuer Liz (Megan Boone)

Harold Cooper (Harry Lennix), chef de la Task-Force vient en aide à un de ses hommes

Harold Cooper (Harry Lennix), chef de la Task-Force vient en aide à un de ses hommes

Anslo Garrick (Ritchie Coster ) menace Elisabeth Keen (Megan Boone)

Anslo Garrick (Ritchie Coster ) menace Elisabeth Keen (Megan Boone)

Dembe (Hisham Tawfiq) est lui aussi prisonnier de Garrick

Dembe (Hisham Tawfiq) est lui aussi prisonnier de Garrick

Diffusions

Logo de la chaîne TF1

France (inédit)
Mercredi 17.09.2014 à 20:50
5.61m / 22.2% (Part)

Logo de la chaîne NBC

Etats-Unis (inédit)
Lundi 02.12.2013 à 22:00
11.67m / 3.2% (18-49)

Plus de détails

 

Anslo Garrick pousse Dembé contre la vitre de la cellule fermée de Reddington et place une arme contre sa tête. S'il ne lui donne pas le code d'accès de la boîte pour l'ouvrir, Dembe mourra. Pendant ce temps, Aram localise finalement le dernier brouilleur et l'écrase. Le système informatique du Bureau de Poste redémarre lui permettant de téléphoner au FBI pour demander de l'aide. Comme il se lève, un homme de Garrick marchant avec une arme pointée sur la tête de l'agent Keen arrive vers lui. Garrick compte à rebours de 3..à 2...à...soudain un coup de feu retentit et Garrick ordonne à ses hommes d'aller voir ce qu'il se passe. Ce qu'ils ne savent pas, c'est que c'est Aram qui tient l'arme encore fumante. Sachant que ce n'est pas le moment de paniquer pour son premier meurtre Liz lui ordonne de l'aider à trouver une planque avant que les hommes de Garrick ne les trouvent...

Ce qui ne prend pas  beaucoup de temps. Liz les prévient que l'escouade tactique du FBI est en route mais personne ne semble s'en soucier. Garrick met une arme sur la tempe de Liz et continue de menacer Red. Désespéré, Red prend son arme et la place sur la tête de Ressler, le suppliant de donner le code d'ouverture de la boîte. Alors qu'il essaie de rester conscient, Ressler obéit et la porte de la boîte s'ouvre. Reddington et Liz sont rapidement emmenés par une sortie sécurisée tandis que le FBI fait une descente dans la Bureau de Poste. Quelques uns des hommes de Garrick restent à l'arrière pour garder Cooper et son personnel oubliant Ressler qui utilise alors l'arme de Red pour les tuer avant que n'arrive le FBI sur les lieux.

Garrick s'échappe avec Reddington et Liz dans une ambulance. Comme ils roulent à toute allure, il donne l'ordre à une femme d'enlever la puce de traçage du cou de Red. Avec un regard significatif, Red chuchote «contactez Mr. Kaplan à l'hôtel Emissaire». A son signal, Liz déclenche le défibrillateur et l'utilise pour abasourdir l'un des gardes de Garrick. Elle saisit son arme et tire sur le conducteur. Garrick l'éjecte de l'ambulance pour prendre sa place au volant. S'ensuit une bagarre et Liz est poussée hors du véhicule. Elle arrête une voiture et commande au chauffeur de suivre l'ambulance. Malheureusement, quand la puce de traçage de Red est jetée par la fenêtre, Liz perd l'ambulance et Red disparaît.

Garrick emmène Reddington dans un entrepôt abandonné, l'enchaîne pendu dans les airs et lui injecte une substance chimique qui renforce la sensation de douleur au cerveau dans l'espoir qu'il parle. Après lui avoir infligé une raclée, il révèle lui que  la mission n'est pas pour son propre compte mais qu'un homme mystérieux nommé Fitch l'a engagé. Lorsque Fitch ordonne de détacher Red, celui-ci en profite pour voler une paire de ciseaux dans la poche d'un des gardes. Fitch veut savoir ce qu'il se passe avec leur arrangement. «Ils» auraient pu le tuer à tout moment. Fitch sait ce que Red détient et ce qu'il arriverait s'il mourrait. Il avait toujours pensé que le secret était en sécurité avec Red mais tout a changé quand il s'est rendu au FBI...

Fowler arrête toute l'opération de Cooper. Mais Liz sait que Red est toujours en vie et Aram visionne des séquences de surveillance du Bureau de Poste dans l'espoir de trouver une taupe. Aram parvient à trouver une série d'appels téléphoniques suspects venant de l'appartement en face de celui de Liz. Quand Liz s'y introduit pour enquêter, elle découvre une pièce remplie de matériel de surveillance qui espionne sa maison. Soudain un homme pose une arme sur sa tête et elle se défend. En quelques secondes, l'homme est mort et Liz est forcée d'appeler Mr. Kaplan. Quand Mr. Kaplan se montre, Liz est stupéfaite de se retrouver face à une femme âgée. Elle nettoie la scène de crime et dit à Liz que les deux ordres de Red sont de la protéger et de trouver où il se trouve à n'importe quel prix.

Utilisant le GPS de la voiture de l'homme, Mr. Kaplan et Liz y trouvent les coordonnées d'un entrepôt abandonné où elles espèrent trouver Red. L'équipe de Mr. Kaplan composée d'hommes armés et conduite par Dembé fait une descente dans l'entrepôt qui est rempli de matériel de surveillance de haute technologie mais Red ne s'y trouve pas. Liz croit que celui qui a créé le site, surveillait le Bureau de Poste dans le but de l'infiltrer et de kidnapper Red. Une fois que Fowler se rend compte qu'elle aussi a été surveillée, elle remet la Task-Force sur l'affaire. Liz a une révélation : pourquoi ne pas chercher Red sur d'autres sites déclassés ? Logiquement ce sont les derniers endroits où le FBI chercherait ses propres personnes.

Après avoir convaincu son ravisseur qu'il ne dirait rien au FBI et que rien n'a changé, Fitch laisse Red à Garrick. Mais quand Garrick se rapproche, Red le poignarde dans la nuque avec les ciseaux qu'il avait cachés. Liz arrive avec le FBI et tout ce qu'ils trouvent c'est Garrick dans la marre de son propre sang. Red est parti depuis longtemps. Fowler ordonne à Cooper de remettre Red sur la liste des criminels les plus recherchés. Ressler récupère à l'hôpital après son opération chirurgicale. Son ex-fiancée, Audrey, lui rend visite pour voir comment il va : elle est toujours sur la liste des personnes à contacter, il n'a personne d'autre. Ressler remarque qu'elle est fiancée et même si cette révélation l'attriste, ils passent ensemble un agréable moment à évoquer des souvenirs.

De retour à la maison, Tom supplie Liz de renoncer à son emploi. Ils peuvent déménager dans le Nebraska et s'y installer pour une vie plus simple. Mais Liz est trop impliquée et elle doit finir ce qu'elle a commencé. Soudain son téléphone sonne : c'est Reddington. Liz lui demande où il se trouve mais il ne lui dit pas. Elle lui dit également que le FBI le cherche, ce qu'il sait déjà, biensûr. Red lui dit que quoi que ce soit, si elle est dans le besoin, il sera là. Rassemblant son courage Liz lui demande s'il est son père..il répond non. Mais avant de raccrocher, il la supplie de se méfier de son mari. Sur cette révélation terrifiante, Red disparaît dans la nuit.

                                                                                Traduit et adapté du résumé du site officiel par mnoandco

 

BOX'S ROOM

RED : Wait!
GARRICK : Red, I don’t have to explain what happens now, do I? You open the box, or Dembe dies.

IN A CORRIDOR 
Aram’s handheld says “System boot complete”

ARAM : Come on. … Yes. North Arlington Furniture Warehouse.
[ OPERATOR ] : Can I help you?
ARAM : Uh – Hatchling 5591.

BOX'S ROOM

GARRICK : Stay on your knees.

Dembe and Red pray together in Dembe’s language

IN A CORRIDOR 

Aram walks to where he thinks Liz is, talking

ARAM : I got the signal out, but I need a dispatch co...

Sees Garrick’s man, points pistol at him

ARAM : Dispatch code Cavalry’s on their way. You’re about to get your ass kicked off the planet, pal.
GARRIK'S MAN: Want to bet I can drop you before you can get one shot off with that pistol?

BOX'S ROOM

GARRICK : Well, I’m gonna kill him now, aren’t I, Red? Open the box!

Red gets down to where he can look Dembe in the eyes. A shot is fired. Red squeezes his eyes shut. It was the sound of Aram’s gun.

GARRICK : Go!

Garrick’s men take off to the sound of the gunshot

IN A CORRIDOR 

ARAM : Wow. I killed him.
LIZ : We need to move now! Aram! Listen to me. We need to move now!

One of Garrick’s men arrives

GARRICK'S MAN : Hold it!

BOX'S ROOM

Garrick’s men lead in Liz and Aram. Garrick notices Red’s expression

GARRICK : Well, who might this be? Someone you know, Red?
GARRICK (to Liz) : Please.

Liz kneels down

RED : Ressler!

Red goes to Ressler and slaps him. No response. Squeezes his wound

RESSLER : Aah! Son of a bitch!
RED : Look at me. I need you to focus. I need the code.
RESSLER : What code? What code?
RED : To open the box.
RESSLER : Oh, God, my leg – !
RED : Tell me the code now.
COOPER : Do not give him the code, Agent Ressler! That’s an order!

Garrick threatens Liz with his weapon. Liz’s cell rings.

GARRICK : Oh, come on!
GARRICK'S MAN : Telecom has been restored. They have an open signal out.
LIZ : In about five minutes, an FBI assault will retake the building. Get out now. You might survive.

Garrick answers the telephone

TOM : Lizzy. Hey, what’s going on?
GARRICK : Lizzy isn’t available right now. May I ask who’s calling?
TOM : This is her husband. Who the hell is this?
GARRICK : I’m the guy that’s gonna put a bullet in your wife’s head. Hi.
TOM : Who is this? Put my wife on the phone.
GARRICK : It’s for you.
LIZ : Tom!
TOM : Liz, are you okay? What’s going on? Are you safe?
LIZ : Tom, listen to me! Call the FBI!

Red threatens Ressler with a gun

RESSLER : No! No, no. What are you gonna do? You gonna kill me? You just saved my life.

Red points gun at Ressler’s head

RED : Circumstances have changed, Donald. If you can’t save her, you’re of no use whatsoever. Look at me. Look at me! Agent Keen will die. Now is the time!
RESSLER : Romeo. The access code is Romeo.
RED : R–O–M–E–O Romeo.

Red smiles a painful smile at Liz . With the code and Cooper's hand, Garrick can opens the door.
Red emerges from the box .With a smile...

RED: Anslo, what are you doing here?

In another room men are shown drilling holes in a thick board

RED : Let them go, Anslo.
GARRICK : Are you pleading for the lives of the feds?
RED : There’s enough blood on the floor. It’s time to get the hell out of here.
GARRICK : Oh, I know what time it is. You watch out for Old Red here. He may not look like much, but I once saw him kill a Somali with a wire hanger.
RED : Simpler days, Anslo. Simpler days.
GARRICK : Simpler days. Right. Bring her. [ re: Liz ]
RED : She doesn’t do anything for you, Anslo. She’s dead weight.
GARRICK : Do I look like I care what you say, Red?

Garrick, some of his men take Red and Liz and leave

A man of Garrick takes care of the prisoners

We see the FBI infiltrates the building and shots Garrick's mens

BOX'S ROOM

GARRICK'S MAN : Everyone get down now.
COOPER : Coward.
GARRICK'S MAN : Knees.

They go to their knees, all except Cooper.

Garrick’s man takes aim at Cooper
Ressler from the box shoots down Garrick’s man

COOPER : Secure the area and contact headquarters! Don’t move.

Dembe releases itself and runs in pursuit of Red

COOPER : We’re getting help. I’m gonna get you out of here. I need a phone!

IN A ROOM OF THE POST OFFICE

GARRICK : I have to admit, Red, I was starting to think you’d never come out of the box. But then her. She was unexpected. Old boy’s still got the touch, does he? Well, whatever blows up your skirt.

A hole is blasted in the floor. Liz and Red are lowered by cables


GARRICK : [ To Liz ] Hold on tight.
GARRICK : Red.

BOX'S ROOM

FBI AGENTS : Breach team 5! Identify yourself!
COOPER : I’m Assistant Director Harold Cooper! Help these people get to the Washington Hospital Center’s trauma unit.

OUTSIDE THE POST OFFICE

In moving van marked Ambulance, a tech is performing a procedure to remove the tracking chip from Red’s neck

GARRICK : Ninety seconds to the drop. I need that chip!
RED : [ To Liz ]The Emissary Hotel in Chicago. Mr. Kaplan.
GARRICK : Hurry the hell up!

Liz gets gun, takes out driver and escapes van. She falls in front of a car

She jumps into the car and orders driver

LIZ : FBI! Follow that ambulance! Drive! Now! Give me your phone! Give it to me!
ARAM : Hello?
LIZ : Aram!
ARAM : Agent Keen, are you okay? [ Hails Cooper: ] Sir! [ To Liz: ] Are you – Are you with Mr. Reddington?
LIZ : I’m in pursuit, but I’ve lost visual! I’m headed west on Constitution.Do you have a location? They’re trying to pull his chip.

IN THE AMBULANCE

GARRICK : Hurry the hell up! Close to the drop point! – 30 seconds! –
PARAMEDIC : I’m trying!
GARRICK : Just give me the bloody chip! Come on!

IN THE CAR

LIZ : Aram, where are they?
ARAM : Okay, six blocks west. Turn right at the intersection. Turn right! Right here! Right here!

IN THE AMBULANCE

GARRICK : Get me that damned chip!

A motorcycle arrives at top speed and Garrick gives him the chip of trackage through the window

IN THE CAR

Liz always speaks with Aram on the telephone

ARAM : Okay, you’re close. He just turned south on 7th. Okay, the signal has stopped moving. He’s right there. He’s in the street.
POLICEMAN : Yeah, this is the right location.

The chip is on the ground

COOPER (on the telephone) : Agent Keen, did you find him?
LIZ : No, he’s gone. We lost Reddington.

INSIDE A BIG BUILDING,LOCATION UNKNOWN

Red is led with a gunny sack over his head. He has leather cuffs on. They are connected to a chain from overhead which is pulled taut

GARRICK : Oh, this shall be fun.

POST OFICE, BOX'S ROOM

DIANE FOWLER (DOJ): How did this happen?
COOPER : Anslo Garrick was a known associate of Reddington’s. He came in with a tactical assault team. He knew the floor plan.
FOWLER : Then I have no choice. This task force is decommissioned. Do you understand what has happened, Harold? You obviously have a mole.
LIZ : We have to find Reddington.
FOWLER : The only thing that matters right now is how quickly we contain this. This did not happen. Reddington is, and always has been, a fugitive at large.

BOX'S ROOM

LIZ : Aram, wait. You can’t –
ARAM : We’re done. I’m done.
LIZ : Listen to me – Red’s alive.
ARAM : Liz, this is out of my hands. Okay, assuming –
LIZ : Mm-hmm?
ARAM : I could help what would you need?
LIZ : Closed-circuit feeds from the block around the building from when Reddington came in, going back an hour.
ARAM : Supposed to hand off the security feeds to the new team of investigators. I suppose I could make us a copy.
LIZ : Thank you.
ARAM : How do you think Ressler’s doing?
LIZ : He’s in surgery. They’re hoping they can save his leg. Aram – we got to keep this between us. We don’t know who we can trust.
ARAM : Yeah.

Liz goes away to phone

LIZ : Emissary Hotel.
[ OPERATOR ] : How may I direct your call?
LIZ : Yes? Hi. Mr. Kaplan, please.
[ OPERATOR ] : He’s not available. Can you be reached at this number?
LIZ : This – ? Uh, yes, I suppose.

[ OPERATOR ] : Goodbye.

INSIDE A BIG BUILDING,LOCATION UNKNOWN

GARRICK : The girl. The agent. I want to know who she is. You came out of the box for her. Traded your life for hers. Red Reddington placing somebody else’s life ahead of his own. What makes her so special? I learned so much watching you, Red. You taught me, gave me a taste of the good life. But that’s all I was allowed, a taste.
RED : You’re greedy, Anslo. You went behind my back, made deals you knew I wouldn’t approve. What did you expect?
GARRICK : I suppose I expected something better than a bullet in the face, Red.

Garrick hits Red

KEEN'S HOUSE

TOM : Are you okay?
LIZ : Yeah, I–
TOM: I didn’t know what was happening.
LIZ : I know.
TOM: Who– Who– Who was that man on the phone? It’s nothing. What happened to your face?
LIZ : I’m okay.
TOM : Damn it, you need to stop. You need to stop. You need to walk away from this job before it destroys you

Liz’s cell rings

TOM : Don’t. Listen to me. Don’t answer it. All right? Look at me. We can go.
LIZ : Go?
TOM : Anywhere. Nebraska. We talked about moving there someday, at your dad’s funeral.
LIZ : Someday. I got caught up in the middle of something. I have to take this.

On phone

LIZ : Aram, what do you have for me?
ARAM : I sent you the files. Our cameras cover five blocks around the office in every direction.
LIZ : Okay, I’ll look through them right now.
ARAM : Don’t bother. Red wasn’t followed. He came in at 5:15. No tail cars, no eyes on the street.
LIZ : Damn it. How did Garrick know he was in the post office?
ARAM : My question exactly. So I started thinking – What if somebody inside already tipped him off?
LIZ : You found the mole?
ARAM : No. But I think I have a lead. We routinely collect all cellular transmission from inside and directly around this facility. So much data I had to play around with various mathematical structures, knots, multivariate polynomials –
LIZ : Aram, the lead?
ARAM : Right. I found a pattern in the transmissions – a series of calls made from a burner cell. Each call was placed just seconds after Reddington arrived at the post office.
LIZ : All from the same burner?
ARAM : No. All from different burners, but all the calls were to the same number. I vectored the address to a private residence a few miles from here. The address is 8123 12th street.
LIZ : What?

Liz looks outside. The address is across the street

LIZ : I’ll call you right back.

INSIDE A BIG BUILDING,LOCATION UNKNOWN

GARRICK : As with everything involving you, things are more complicated than they may appear. If I could, I’d end this right now, give you the horrifying death that you so deserve.
RED : Then do it.

A man arrives, a doctor

GARRICK : Yeah. When it’s time. You see, sadly, this isn’t my surprise party. I am merely the hired help. My job was to get you to the venue. And while I would pay a high price to silence you forever, others have paid much more for the chance to hear what you have to say.
GARRICK (to the doctor) : Please.

The doctor makes injections to Red

GARRICK : Anesthesia blocks the impulses to the brain so one doesn’t feel the sensation of pain. The drug that the kind doctor is giving you does the opposite. It enhances the impulses received by the brain. When he’s finished, the feeling of a breeze wafting against your skin will be enough to make you beg me to kill you.

THE HOUSE ACROSS THE STREET

Liz goes to check out the address Aram gave her, which is right across the street. She breaks the glass of a door, unlocks it and enters, pistol drawn. Finding nothing downstairs, she goes upstairs where she finds a bank of computer monitors – all looking down on a room in her own flat! An apple is in front of the monitors. She puts down her gun, but then realizes someone is behind her. She moves quickly and a struggle takes place for the man’s gun. Liz gets it and shoots him two times. He lies motionless, dead. Liz gets her phone and dials Cooper’s number. He answers

COOPER : Agent Keen? Agent Keen, are you there?

But Liz decides not to respond. Instead she dials the number for Mr Kaplan.

Later,Mr Kaplan is shown walking to the flat across the street from Liz’s. Mr Kaplan, who is a woman, knocks

LIZ: Mr. Kaplan ?

MR KAPLAN : What color is the sky?
LIZ : Red.

Liz lets Mr Kaplan in

LIZ : You? You’re Mr. Kaplan?
MR KAPLAN : Who else knows you’re here?
LIZ : Nobody.
MR KAPLAN : Have you phoned anyone?
LIZ : No.
MR KAPLAN : Who is he?
LIZ : I don’t know. Every time Reddington came to the post office, a call was made to this address, I assume to him.
MR KAPLAN : He’s been watching.
LIZ : When he got word that Red was at the post office, he must have called Garrick to trigger the hit.
MR KAPLAN : I’ll handle the body.
LIZ : “Handle”?
MR KAPLAN : We need the bullets. We can’t have ballistics traced to your weapon.
LIZ : Okay, wait. I can’t do this. I’m a federal agent.
MR KAPLAN : I have two directives – to protect you and find my employer. I intend to do both. My team will be here soon. Find his car.

INSIDE A BIG BUILDING,LOCATION UNKNOWN

The doctor verifies Red's vital signs

The doctor takes his blood pressure and his temperature

DOCTOR : 21 on 14.5...39°9

GARRICK : Increase the dosage.
DOCTOR : We’re already 12 cc over the max.
GARRICK : Then why isn’t it working?!
DOCTOR : He’s resisting somehow. I can stick him again, but if his heart goes into v–fib, we could lose him.
GARRICK : Stick him again.

IN FRONT OF THE HOUSE

Liz finds the car and comes in it. Mr Kaplan arrives

MR KAPLAN : I ran his face against the database.
LIZ : What database?
MR KAPLAN : No matches. The car is registered to Borderland Cargo, a shell corp with a dummy address.
LIZ : What about the GPS data? If he works for the man holding Red, then maybe he’s been there before.
KAPLAN : You have six addresses. Five are centrally located – A motel, a church, two gas stations, and a restaurant in Alexandria. But this? This is something.
LIZ : Why?
KAPLAN : It’s an industrial neighborhood, remote. The kind of place I’d find for Mr. Reddington if I didn’t want him to be found. Time for a road trip.

IN AN INDUSTRIAL NEIGHBORHOOD

A warehouse

KAPLAN : Armed lookouts. What are you doing?
LIZ : Calling it in. We need backup.
KAPLAN :Stay in the car. My orders are to keep you safe.

Points out group of men – Red’s men – already at location
Dembe gets in back seat .Gunfight between two groups of men

INSIDE A BIG BUILDING,LOCATION UNKNOWN

Red is shaking as he hangs from chains

DOCTOR : I think we’re ready here.
GARRICK : About bloody time.

Garrick hits Red yet again. He hangs limply, feet not reaching floor

GUARD : We’ve got company.

IN A INDUSTRIAL NEIGHBORHOOD

Gunfight at warehouse ends

RED'S MAN : What the hell is this place?

To Mr Kaplan who arrives with Liz

RED'S MAN : He’s not here.

INSIDE A BIG BUILDING,LOCATION UNKNOWN

ALAN FITCH : How are we?
GARRICK : He’s ready for you, sir.
FITCH : Hello, Ray. It’s been, what – 20 years?

Red recognizes Fitch

IN A INDUSTRIAL NEIGHBORHOOD

A warehouse

COOPER : Tell me, Agent Keen, which part of “stand down” was unclear to you?
LIZ : This wasn’t my operation. Fowler may have shut us down, but did you really think Reddington’s people weren’t gonna try to find him themselves?
COOPER : They did this without your involvement?
LIZ : The only reason you’re standing here is because they trust me enough to involve me.
COOPER : Enlighten me. What is all this?
LIZ : Some kind of operations outpost three miles from the post office. Seems to be manned by the same people who infiltrated our facility and kidnapped Reddington. That doesn’t concern you?
COOPER : I lost a dozen people today, Keen! That isn’t on you. It’s on me. No one wants the men who did this more than I do. But riding shotgun on an unsanctioned massacre isn’t the way to get it done.
ARAM : Excuse me, Director Cooper?
COOPER : What is it?
ARAM : There’s something you need to see.

POST OFFICE

FOWLER : I thought I was clear This task force is done.
COOPER : I think you’ll reconsider.
FOWLER : Why in God’s name would I do that?
COOPER : Because this isn’t just about Reddington anymore. Agent Keen located a surveillance outpost a few miles from here. Next-gen tech, better than anything we have in the field.
FOWLER : Surveillance on what?
COOPER : Us. They’ve been watching this task force for months. Phone taps, communications logs. We’re not sure to what extent. We were able to recover very little. The equipment and data were rigged to self-destruct.
FOWLER : I don’t understand. How is this even possible?
COOPER : Something else you should know. They’ve been watching you, too.

INSIDE A BIG BUILDING,LOCATION UNKNOWN

FITCH : All right, that’s enough. Let him down. Come on. Get him a chair.

The doctor helps Red who takes advantage of it to steal one scissors in his pocket

FITCH : I don’t understand, Ray. None of this had to happen. I thought we had an arrangement.
RED : We do.
FITCH : Eh, I don’t know. The people I represent, they’re they’re nervous. We don’t know what to think. We could’ve killed you. I don’t mean today. I mean any day. I mean every day for the past two decades. But we don’t. We know what you have, Ray. And we know what’ll happen to it if you turn up dead. So we do nothing. We let you live. And in exchange, we– we trust that our secret remains secret.
RED : Nothing has changed.
FITCH : Oh, no. I’d say everything’s changed. Everything changed the minute you surrendered to the FBI. Did you think we wouldn’t know? Maybe you wanted to change our arrangement. Maybe you thought you could turn yourself in and, uh, find some new friends to protect you. Maybe you plan to expose us.
RED : No.
FITCH : What have you told, Ray?
RED : Nothing.
FITCH : Then what the hell are you doing here?
RED : My reasons have n- nothing to do with you.
FITCH : Well, I hope so. I really do. Because I’ve always liked you, Ray. You’re a pain in my neck, but I like you. Just know this. You were walking in the park this morning. We could’ve taken you then. Instead, we dragged you from the safety and security of the bed you’re now sharing with new friends. Why would we do a thing like that? To make it abundantly clear, there’s nowhere you can go. There’s no one you can trust to keep you from us.

FBI SPECIAL OPS DIVISION

MEERA : Hmm? You were there? When Reddington’s people took the building? How many people were killed?
LIZ : At least six. It was an outpost. Professionals. These people were highly trained. Like Garrick. What’s all this?
MEERA : A waste of time. By Cooper’s directive, I reached out to a few of our colleagues at the Agency, informed them of our situation, and offered to contact my counterparts at the other black sites to share intel.
LIZ : All these names are redacted.
MEERA : So much for inter–agency cooperation.
LIZ : You really think that Garrick had someone on the inside?
MEERA : It’s possible. The only one beyond suspicion is Ressler, unless he used Garrick to shoot him in the leg to cover his tracks.
LIZ : Is he still in surgery?
MEERA : Four hours and counting.
LIZ : [ Reading ] Hollins Ferry Road. I know that address. It says DCM What does that mean?
MEERA : Decommissioned. Here I am trying to help, and the only names that aren’t blacked out are sites that are no longer in use.
LIZ : Is that a church?
MEERA : Well, that’s the cover story.
LIZ : I’m gonna need satellite access to this address.
MEERA : Why?
LIZ : Because I think this might be where they’re holding Reddington.
MEERA : Is this in Franklin Square?
LIZ : Yeah. Why?
MEERA : The ambulance that was used to abduct Reddington they found burning in a garage a quarter mile from there.

LIZ : I think we found Reddington.
COOPER : Where?
LIZ : A church in Baltimore – A decommissioned black site.
COOPER : A black site? You think that’s where they’re holding Reddington?
LIZ : It makes sense. It’s the last place we would think of. And if he knew about this site, he’d know about others.
COOPER : What about it, Diane? I need an answer. Are we shut down or not?

A CHURCH IN BALTIMORE

GARRICK : You should go, sir. I’ll take care of Reddington.
FITCH : No.
GARRICK : We had a deal. I delivered him for interrogation. I took that risk because you promised.
FITCH :I know what we promised. What I don’t know is whether he’s telling the truth. If you kill him, it could trigger whatever he has in place.
GARRICK : With all due respect, sir, that’s not my problem.
FITCH : Excuse me?
GARRICK : I lost a lot of men today. Couple of good ones. You had your talk. Now it’s my turn.

Red is tied to chair

GARRICK : Just you and me again, Red. Just like the old days.
RED : Oh, give it a rest. We both know Fitch won’t let you finish it.
GARRICK : That’s as may be. But you know what I can do, though, Red? I can find Lizzy. I can hurt her. I can make her suffer. And when I’m finished, I can kill her. Sometimes you just have to take what you can in this crazy world. Guess who taught me that, Red. You did. What? No smart quips? No?

Red coughs, leaning forward in chair
Garrick pulls up another chair, sits, leans over to look in Red’s face

GARRICK : You’re not actually feeling something, are you, Red?

Lightning fast, Red slams Garrick’s head, then grabs and holds him
Red looks coldly into Garrick’s terrified face for several seconds

GARRICK : Augh!

Garrick stiffens, then goes limp. Red lets Garrick’s body fall to the floor – after pulling a bloodied surgical scissors out of Garrick’s back

RED: Regret.

Later a team of armed commandos, followed by Meera, Liz and Cooper, arrive to find Garrick’s lifeless body and blood.

LIZ : He was here.

KEEN'S CAR

TOM: In what world is any of this okay? The fact that you don’t see that, that this is somehow normal to you –
LIZ : I’m sorry.
TOM : A man told me that he was gonna kill you. I’ve been attacked, I’ve been accused of murder, and now people are watching us. Apparently, there are cameras in our bedroom.
LIZ : They’re gone.
TOM : Do you believe that? I need us together and safe. I meant what I said earlier. We need to leave this place.

IN HOSPITAL

Audrey, Ressler’s former fiancée, shows up at his hospital room

RESSLER : Audrey? Hey. What are you doing here?
AUDREY : I got a call. You okay?
RESSLER : Yeah. Yeah, long story. Uh I’m fine. They called you?
AUDREY : Bureau did. I guess I’m still on as your “next of kin.”
RESSLER : Right. Your name’s still on that list. I meant to take it off. I’ve just been so busy, I –
AUDREY : No, no, no. It’s okay. I get it. So, you’re okay?

Audrey carries a ring of fiancaille

RESSLER : You’re engaged?
AUDREY : It’s crazy, right?
RESSLER : Tell me he’s fat and unemployed.
AUDREY : He’s fat and unemployed.
RESSLER : Mind staying for a few minutes?

POST OFFICE

COOPER : He was there. Lab tests confirm the blood was Reddington’s.
FOWLER : Which means?
COOPER : As far as we can tell, he killed his captor and escaped.
FOWLER : Then why aren’t you out hunting him down?
COOPER : I’m sorry? I thought we were in the “cover our asses” business, in containment mode.
FOWLER : That ship has sailed, Harold. Someone is surveilling us, and we don’t know who. Reddington does.
COOPER : You don’t know that.
FOWLER : We have a mole. That mole leaked intel leading to the abduction and torture of Reddington. It’s a simple math problem, Harold. Whoever is after Reddington is after us, and that means, as far as I’m concerned, that Reddington still has real value. The unit has a new focus – Finding him. As of this moment, the only target on the blacklist is Raymond Reddington.

KEEN'S HOUSE

Mr Kaplan cleaned the crime scene and the body disappeared. On the telephone with Liz

MR KAPLAN : It's done

Liz’s cell rings

LIZ : Hello?
RED : Lizzy.
LIZ : Red. Where are you?
RED : Gone for a short while.
LIZ : Dembe’s looking for you. He says it’s urgent.
RED : Dembe will have to wait. Lizzy I want you to know, wherever I am, whatever I’m doing, if you are in need, I will be there.
LIZ : The task force, Cooper – They’re searching for you. What should I tell them?
RED : I have to go.
LIZ : Wait. One question, please. It’s about my father. Growing up, Sam, – He raised me like his own. He was my whole world. But he wasn’t my father.
RED : What is the question, Lizzy?

LIZ : Are you my father?

Long pause

RED : No.

Another pause

RED : Lizzy... be careful of your husband.



Adapté du site «The Blacklist Classified», mise en page par mnoandco



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Au total, 103 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

magrenat 
10.04.2019 vers 19h

KrimoRAR 
19.03.2019 vers 22h

LizMyLove 
02.01.2019 vers 16h

everrose 
10.11.2018 vers 18h

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29.07.2018 vers 16h

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