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Blacklist
#116 : Mako Tanida

Ecrit par: Joe Carnahan
Réalisé par: Michael Watkins

La prochaine cible sur la blacklist est l'un des anciens associés de Red, le seigneur du crime Mako Tanida. Après que Tanida se soit échappé de sa prison, il cherche à se venger. Par ailleurs, Tom affronte Jolene après qu'elle ait interféré avec sa mission.

Popularité


4 - 5 votes

Titre VO
Mako Tanida

Titre VF
Mako Tanida

Première diffusion
17.03.2014

Première diffusion en France
01.10.2014

Vidéos

Bande annonce VO

Bande annonce VO

  

Photos promo

La Task-Force au travail

La Task-Force au travail

Donald Ressler (Diego Klattenhoff) prêt à se venger

Donald Ressler (Diego Klattenhoff) prêt à se venger

Raymond Reddington (James Spader) écoute ce que lui dit Dembe (Hisham Tawfik)

Raymond Reddington (James Spader) écoute ce que lui dit Dembe (Hisham Tawfik)

Donald Ressler (Diego Klattenhoff)

Donald Ressler (Diego Klattenhoff)

Jolène (Rachel Brosnahan ) téléphone

Jolène (Rachel Brosnahan ) téléphone

Aram Mojtabaï à la recherche d'informations

Aram Mojtabaï à la recherche d'informations

Elisabeth Keen (Megan Boone) dans la neige

Elisabeth Keen (Megan Boone) dans la neige

Raymond Reddington (James Spader)

Raymond Reddington (James Spader)

Tom Keen (Ryan Eggold) et Jolène (Rachel Brosnahan ) ont capturé le Cow-Boy

Tom Keen (Ryan Eggold) et Jolène (Rachel Brosnahan ) ont capturé le Cow-Boy

Elisabeth Keen (Megan Boone )

Elisabeth Keen (Megan Boone )

Une danseuse et Raymond Reddington (James Spader) observent la scène

Une danseuse et Raymond Reddington (James Spader) observent la scène

Elisabeth Keen (Megan Boone) et Donald Ressler (Diego Klattenhoff) près de la voiture accidentée

Elisabeth Keen (Megan Boone) et Donald Ressler (Diego Klattenhoff) près de la voiture accidentée

Harold Cooper (Harry Lennix), chef de la Task-Force

Harold Cooper (Harry Lennix), chef de la Task-Force

Bobby (James Colby ) blessé

Bobby (James Colby ) blessé

Le Cow-Boy (Lance Reddick )

Le Cow-Boy (Lance Reddick )

Diffusions

Logo de la chaîne TF1

France (inédit)
Mercredi 01.10.2014 à 20:50
5.71m / 22.6% (Part)

Logo de la chaîne NBC

Etats-Unis (inédit)
Lundi 17.03.2014 à 22:00
10.97m / 2.7% (18-49)

Plus de détails

Personnage Blaklisté: N°83: MAKO TANIDA

Guests:

Rachel Brosnahan ... Jolene
Lance Reddick ... Le Cowboy
Hoon Lee ... Mako Tanida
Casey Siemaszko ... Sam Raimo
James Colby ...Bobby
Emily Tremaine ... Audrey Bidwell
Stacey Yen ... Sarah Raimo

Après s'être évadé de la prison d'Abashiri (à Hokkaïdo au Japon), l'ancien seigneur du crime yakuza Mako Tanida se rend dans un hôtel de Tokyo où il oblige l'agent du FBI Sam Raimo à commettre le rituel seppuku pour des transgressions passées contre lui. De retour à Washington D.C, Tom trouve Jolène dans sa cuisine, discutant avec Liz de son intention de déménager dans le quartier et feignant ne pas le connaître. A l'autre bout de la ville, Ressler et Audrey, maintenant ensemble, assistent aux funérailles de Raimo. Là, ils se retrouvent avec l'agent McGuire et Bobby Jonica, ex-partenaires de Ressler, qui pensent que Reddington est à blâmer pour la mort de Raimo. Ressler est surpris d'apprendre que Reddington veut lui parler de Mako : il croit en effet qu'il a tué Raimo et que probablement il cherche à tuer Ressler ensuite. Aprés le meurtre de McGuire, Ressler parle de l'affaire à la Task-Force qui se concentre sur Aiko Tanida, le frère de Mako qui vit maintenant dans la clandestinité. Ressler retourne chez lui pour prendre Audrey qu'il a l'intention d'emmener à la maison de campagne de ses parents pour sa sécurité. Audrey est sur le point de partager une merveilleuse nouvelle lorsque Mako fonce sur la voiture de Ressler. Les sirènes hurlent. Mako tue Audrey et part. Elle meurt dans les bras de Ressler au moment où la police arrive sur les lieux...

Tom rencontre Jolène dans un entrepôt, sans doute son refuge, pour lui parler de sa rencontre avec Liz. Il lui montre les preuves étalées sur un tableau ce qui est tout ce qu'il a sur Liz et Reddington : il croit que ce dernier blanchissait de l'argent par l'intermédiaire du père de Liz, Sam, pendant des années. Ils sont loin de se douter que le Cowboy les observe et rapporte leurs faits et gestes à Reddington qui veut que celui-ci lui ramène Jolène. Reddington rencontre à nouveau Ressler qui veut des infos sur Mako. Après avoir conseillé à Ressler de rentrer à la maison, Reddington lui indique un hôpital clandestin. Ressler appelle Jonica et ils y font une descente, saccageant l'hôpital et tuant l'homme de Mako sur la table d'examen et kidnappant celui-ci. Liz va voir Red le suppliant de lui donner des informations sur Mako avant que Ressler ne fasse une bétise. Le scoop de Red : Aiko est mort il y a longtemps ce qui signifie qu'il est temps de ré-examiner les dossiers. Assez vite, Liz et Meera déduisent que Jonica est celui qui a repris l'empire de Mako se faisant passer pour son frère. Ressler en vient à la même conclusion après les révélations de Mako dans la voiture alors qu'il l'emmène avec Jonica pour s'en débarrasser. Jonica essaie de s'enfuir mais Ressler le rattrape et le tient en joue. Heureusement Liz arrive et parvient à lui faire entendre raison. Il dépose son arme et son ancien ami est arrêté.

 

 

                                                                                Traduit et adapté du résumé du site officiel par mnoandco

 

 

ABASHIRI PRISON HOKKAIDO, JAPAN

A man escapes from the prison

TOKYO, RAIMO'S HOUSE

MRS RAIMO: Hey.
MR SAM RAIMO : Hey.
MRS RAIMO : They miss home.
RAIMO : Just a few more weeks.
MRS RAIMO : Go to bed. You look exhausted.
RAIMO : I got a stack of case files I need to get through.

Sam Raimo is alone, looking at bills to pay. A man enters. He threatens it with a sword

OUTSIDE RAIMO'S HOUSE

TANIDA : I have waited a long time for this reunion, Agent Raimo.
RAIMO : We’ve had the pleasure?
TANIDA : Yes. Though it could hardly be called pleasurable. I was captured by your task force collateral damage in your hunt for Raymond Reddington.

RAIMO : Mako Tanida.

TANIDA : On your knees.
RAIMO : I have no intention of getting –

Tanida hurts him with his sword

RAIMO : Aah! Aah!
TANIDA : You lack honor and humility, Agent Raimo. I will provide you with both. Take up that tanto and remove it from its scabbard.In feudal Japan, one warrior’s transgression against another was measured by the code of the bushido. For your sins against me, I require ritual seppuku. You will disembowel yourself to my satisfaction. I will give you 60 seconds to put that sword into your stomach and begin cutting.Do that, and it is you alone. Or I will run you through myself And take your whole family.
RAIMO : You won’t harm my family?
TANIDA : If you abide by honor I will not.

KEEN'S HOUSE

JOLENE : So, you guys have been here for?
LIZ : Oh, only a year. Well, we moved from up north. I was there for three years, actually, and –

Tom arrives

LIZ : hey, babe. You remember Jolene from the baby shower?
TOM : Sure. You sub for Mr. Sinnard?
JOLENE : It’s Ted, right or Tim.
TOM : Sorry. It’s Tom. Fourth grade.
LIZ : We just bumped into each other outside. She’s looking for a place in the neighborhood.
TOM  : Great.
JOLENE : I’ve got to get out of my apartment. It’s super–cramped. And my fiancé and I love this neighborhood, so ooh! Um, hey, what did you think of Allison’s show?
TOM : Who?
JOLENE : Allison. The exhibit at the Willard Street Gallery.
LIZ : You went to an art exhibit?
TOM : Well, uh, calling it art might be a stretch.
JOLENE : I–it was amazing. Why didn’t you bring your wife?
LIZ : Yeah, why didn’t you bring your wife?
TOM : For the record, I did invite you, but you were working, and trust me you didn’t miss anything. Anyway, I would love to stay and talk art, but I should go grade some papers.
JOLENE : I should get going, as well.
LIZ : Let me give you my cell. Oh. If you’re looking for a realtor, my girlfriend Ellie is awesome.
JOLENE : Thank you, that’s really cool of you. Good luck with your papers, Tom.

TOM : Thank you.

JOLENE : And I will see you at school.

Liz gives her cell number

JOLENE : Thank you.

RAIMO FAMILLY'S HOUSE, USA

Raimo's Funeral

BOOBY JONICA : I see those wheels turning.
RESSLER : Hey, brother.
BOBBY : To Sam. How you feeling?
RESSLER : Um, first 48, right?
BOBBY : Yeah, that clock ran out.
PETE : Hey. Hey, fellas.
BOBBY : Pete. Good to see you.
PETE : Good to see you, too. Got anything yet?
BOBBY : They got nothing. Well, NPA said suicide, said that Sam was carrying a lot of debt.
RESSLER : Ritual suicide? I mean, come on. I don’t believe that for a second. Sammy loved Sarah.
PETE : Then who gutted him?
RESSLER : The list of people we pissed off – pick a number.
PETE : Yeah.
AUDREY : Hey, strangers.
BOBBY : Hey, Audrey. How are you? Good to see you.
AUDREY : Is retirement treating you well?
BOBBY : Yeah, well, never mind me. It’s a hell of a way to see you again. Sorry.
PETE : Hey, Audrey. You speak to Sarah?

BOBBY : Being back in the states is hard enough.
AUDREY : Yeah. I think we’re gonna try and stay here with Sarah next week.
RESSLER : The house is gonna be surrounded by feds, sweetie. I think she’s gonna be okay.
BOOBY : Good ol’ Rez. Mr. Emotional Support.
AUDREY : We should probably get going and let the family have some time alone. Bye, guys.
BOBBY : Bye, Audrey.

Audrey leaves

BOBBY : We’ve been tracking one guy for five years. My money Reddington’s got his fingerprints all over this thing.

Ressler looks at him

LIZ'S OFFICE

RESSLER : Hey. Can I ask you something? It’s Reddington. You know how to find him. Can you put the two of us in touch?
LIZ : What’s going on with you two?
RESSLER : Why?
LIZ : Because he’s looking for you.

A THEATRE

Red is watching ballet practice

CHRISTINE : You shouldn’t be here. I said I’d send a messenger.
RED : I wanted to deliver the check personally, Christine.
CHRISTINE : Thank you.
RED : Will it be ready in time?
CHRISTINE : Everything’s on schedule, just like you asked just like last time.
RED : What do they do for lunch? Do they order in or eat salads out of those tupperware bowls? How does it work with dancers?
CHRISTINE : They smoke.
RED : I’ll see you on the 22nd. And please send my thanks to your mother.

Dembe arrives

DEMBE : I found Agent Ressler.

ON A ROAD, LOCATION UNKNOWN

RED : I heard Agent Raimo was relieved of his viscera.
RESSLER : If you had anything to do with this–
RED : Agent Ressler, please.
RESSLER : What was it payback for Vienna?
RED : I’m the one who reached out to you, Donald. And it wasn’t to revisit all the times I eluded your little coterie of door–kickers who pursued me with such fervor and zeal. I came to discuss a former associate of mine who your team arrested along the way Mako Tanida.
RESSLER : The Yakuza boss? He’s in prison.
RED : He was. Two days ago, he broke out of Abashiri. If you ask the Japanese, they’ll skirt it. They claim Abashiri is escape–proof. It’s embarrassing. They’re touchy about that sort of thing. I suspect Tanida is the one who killed your agent friend.
RESSLER : So you want to help me find him? Let me guess he double–crossed you, and you want his head in a box.
RED : There’s a thought. But for the moment, the scalp I’m worried about is yours. Tanida is disciplined, relentless. If he did kill Agent Raimo, there’s the distinct possibility he’s just getting started. I fear, Donald, that you’re being hunted by a vengeful, ruthless killer.

AIRPORT

CUSTOMS : Purpose of your visit?
TANIDA : Reunion with some old friends.
CUSTOMS : Welcome to the United States, Mr. Itami.

It's Tanida alias

OUTSIDE PETE'S OFFICE

TANIDA : Hello, Agent Maguire.
PETE : Who the hell are you?
TANIDA : You don’t remember me, do you? You will.

FBI SPECIAL OPS DIVISION

RESSLER : Mako Tanida, former clan boss of the Azuma Dojin, based out of Osaka. By the time our task force caught up, he controlled a large part of the heroin trade traveling along the Silk Road.
MEERA : After Tanida’s arrest, we thought his empire would collapse. It didn’t. In fact, it expanded grew to include alliances with the Chinese Triad, Korean Tong, even Russian. Bratva. And his operations in the U.S. have grown extensively.
RESSLER : For a time, the intelligence community believed Tanida somehow was operating his empire from inside prison. No one knew how, but there were theories he had politicians in his pocket or he controlled the army, but after he was put into solitary, it became clear that someone else was running the empire.
MEERA : Within the agency, that man is known as Aiko Tanida, Mako’s younger brother. He escaped the night of the raid that took Tanida. We believe he went underground, dark, reemerged as something entirely different bookish boy turned ruthless crime lord.
RESSLER : They call him “Tensei.” Means “Reborn.”
COOPER : Reach out to your agency contacts. I want to know everything there is to know about this brother.
ARAM : Uh, we just received word. Uh, Agent Maguire – I’m sorry.

Later

LIZ : Maguire’s body was found under a bridge near Broadway at 39th.
ANALYST : Domain awareness has three surveillance hits on Tanida. Units en route.
ARAM : Arrived on United 472 from Tokyo. Passed through customs at 11:32 under the alias Yasu Itami.
COOPER : Feed NPA the alias. The Reddington task force – who else was on it?
RESSLER : Myself and Bobby Jonica.
COOPER : I’m sending protective detail. Did you hear me? Agent Ressler.
RESSLER : I got a place up in Prince Georges County, off the grid. I got to get Audrey there.

A WAREHOUSE

TOM : Hey, what the hell is wrong with you? You come to my house?
JOLENE : Calm down.
TOM : You’re not my handler. I don’t work for you.
JOLENE : Berlin is having doubts.
TOM : Yeah? Well, Berlin doesn’t have a damn clue. Do you have any idea how many candidates there were? They chose me. I’ve done everything they asked. I married the woman, for God’s sake. I’ve made her think my entire world revolves around her. And now it’s been two years, and I’ve heard nothing.
JOLENE : We sent word four months ago.
TOM : Four months ago, I had to go dark because Reddington sent a psychopath with a knife into my house. He cut me like a totem pole, and because of that, Liz finds my go–bag, my passports everything. So what did I do? I got myself out. I convinced her that the passports are fake, the cash isn’t mine, so excuse me for being – don’t touch that! I’ve had my hands full.
JOLENE : Berlin wants information.
TOM : So do I. You know somebody put cameras in that house? Somebody was watching us, and it wasn’t the FBI, so why don’t you tell me who the hell was it?
JOLENE : I can’t help you unless you calm down.

RESSLER'S APARTMENT

The door is open. Audrey is here. She is startled

AUDREY : Oh.
RESSLER : You leave the door open?
AUDREY : Yeah. I- I told you I was gonna bring my stuff by. I just didn’t want to keep locking and unlocking the door.
RESSLER : Were you downstairs?
AUDREY : Y–yeah.
RESSLER : I parked around back.
AUDREY : Why? What’s wrong?
RESSLER : I’ll tell you in the car.
AUDREY : Don, what’s wrong?
RESSLER : Pete Maguire is dead. Come on.

THE WAREHOUSE

TOM : Best I can tell, their paths have crossed at key moments in the past 20 years. Quantico, Baltimore. She doesn’t know, and I can’t prove it, but I believe Reddington was funneling money through the adoptive father for years.
JOLENE : What’s this?
TOM : It’s the black site. From memory. It’s the unit Keen works for.
JOLENE : What about the cases?
TOM : You know, I sat right next to Reddington once at a hospital. I could have put a bullet in his head.
JOLENE : That wasn’t your mission.
TOM : All right, show and tell’s over. I have detention at 4:00.

Outside, the Cowboy photographs them

FBI'S CAR

AUDREY : Where are we going? What kind of trouble are you in?
RESSLER : Sam didn’t commit suicide. He was murdered.
AUDREY : What are you –?
RESSLER : The same person who killed Pete. You remember Japan, how the task force spent time there looking for Reddington? Well, we put someone away, and now they’re out.
AUDREY : And they’re coming for you.
RESSLER : I’m gonna take you somewhere safe. My folks got this cabin up in P.G. county. I’m gonna handle this. It’s gonna be okay.
AUDREY : Don, I’m scared.

Car side swipes them

AUDREY : Aah!
RESSLER : Hang on! Hang on!
AUDREY : Don? Unh!
RESSLER : We have to go!

The car stops. Gunfight. Audrey is hit

RESSLER : Audrey! No, no, no, no. I got you. I’ve got you, sweetie. Here. Let me see. Okay, come on. Come on, come on, come on. Come on, come on. Put your hand here. Put your hand here. Come on, girl. Come on, come on, come on, come on. Shh, shh, shh. Come on. No, no, no, no. Hey, hey, hey. Hey! Look at me. Stay, stay stay with me. Stay with me. Don’t go. Come on, Audrey. Come on, Audrey.

Audrey is dead

COOPER'S OFFICE

RESSLER : You can’t sideline me.
COOPER : We’ll find Tanida. Doesn’t matter how long it takes. But we have to do it the right way, follow procedure.
RESSLER : You really expect me to care about procedure?
COOPER : Of course not. I can’t imagine what you’re going through. I wouldn’t dare. But don’t compromise yourself. You’re a good agent. A good man.
RESSLER : I have to do something.
COOPER : You’ll grieve. And while you do, we’ll track Tanida down, and we’ll make sure he gets his due. You have my word on that. I’ll have a car take you home.

Ressler leaves Cooper's office

RESSLER : Bobby, where are you?

BOBBY'S APARTMENT

BOBBY : I went through every C.I., every source I had when I was running that task force. I got nothing.
RESSLER : What about Tensei, the brother?
BOBBY : I reached out to a friend of mine at the D.E.A. He’s got no base of operation, no regular haunts, no hot spots. This guy’s a ghost. Look, Don– Don, we don’t – we can- we can do this later.
RESSLER : No, we do it now. Somebody out there knows something.
BOBBY : Well, I’ll tell you who knows.
RESSLER : Reddington?
BOBBY : They worked together, Donny. Reddington understands how this world works. What I wouldn’t give to get him alone in a room for just five minutes.

COWBOY'S CAR

RED : She still in town?

Sarcastically

COWBOY : No. She’s at the corn palace in Mitchell, South Dakota.
RED : Bring her to me.
COWBOY : I thought you wanted to see how this played out.
RED : It has.
COWBOY : Well, you want me to bring her in, there’s gonna be a fee, and it’s gonna cost you double.
RED : Oh? Why is that?
COWBOY :’Cause I don’t like you. And that hat makes your head look funny.
RED : The pot meets the kettle at last. Bring me the girl.

ON A ROAD

Red meets Ressler

RED : Searching in the desert for a drop of vengeance to slake an unquenchable thirst is a lonely walk, my friend.
RESSLER : Tanida’s close. I can burn the whole neighborhood down, or you can tell me where he is.
RED : Donald, I understand how you feel. Beneath the iron-and-rust exterior beats the heart of a man swimming in immeasurable grief. I am truly sorry about Audrey. There are few that understand love and loss more than I.
RESSLER : Well, I’m glad you understand. Where is he?
RED : Let me tell you something that someone much wiser than I told me at a similar point in my life. Go home. Turn back from this and go home. It may seem like the hardest thing in the world, but it is profoundly easier than what you’re contemplating.
RESSLER : I’m not turning back.
RED : That’s pretty much what I said... In your dust–up with Tanida, were there any survivors?
RESSLER : Yes.
RED : Injuries?
RESSLER : Yeah. Why?
RED : There’s a house in Columbia Heights doubles as an underground hospital. May be worth a visit.
RED : Agent Ressler. Once you cross over, there are things in the darkness that can keep your heart from ever feeling the light again.
RESSLER : All I feel is hate.
RED : Good. You’re gonna need it.

BOBBY'S HOUSE

BOBBY : Are you sure about this? A hospital? Where the hell did you get your information? You coming or not? Rez, you got to tell me what the hell you’re thinking here.
RESSLER : I’m gonna find Tanida. I’m gonna find anyone who was involved. Find them. And I’m gonna kill them all.

BOBBY : Ah, okay.

A HOUSE IN COLUMBIA HEIGHTS

Raid

RESSLER AND BOBBY'S VOICES : FBI! Everybody on the ground! You! Show me your hands! Show me your hands! Get over there! Go!

To the wounded person

RESSLER : You remember me? ‘Cause I haven’t forgotten you. Let’s make this quick. Where’s Tanida? Where is he?!

Ressler shoots guy in leg

RESSLER : Shh. Where’s Tanida? No, no, no, no, no! English!
MAN : 22e and Vermont, blue door. It’s a club. Please you didn’t hear it from me.
RESSLER : Come on. Stay there!

IN A STREET

Cowboy follows Jolene into an alley and is about to grab her when Tom comes up behind him and overcomes him

TOM : We need to move now.

THE HOUSE IN COLUMBIA HEIGHTS

Liz is on phone with Meera

LIZ : Metro P.D. got called in on an 808. They were told two men presented as FBI.
MEERA : Ressler and Jonica. Any idea how they slipped their protective detail?
LIZ : He’s not answering his cell.
MEERA : How did they know to come here? MPD, with full resources of the FBI we didn’t even know this place existed.
LIZ : You and I both know how they got here.

RED'S CAR

RED : No, I understand, but I don’t care about the Prince … No, no, no, no, no The 22nd … That was our agreement … Christine, I don’t care about production issues. Please just figure it out by the 22nd.

Liz gets in car

LIZ : Ressler where is he? I know he came to you. I know you told him about that hospital.
RED : Agent Ressler came to me for assistance, which I provided.
LIZ : You sent him after Tanida.
RED : No. I provided a bit of direction in an otherwise blind pursuit.
LIZ : He’s not like you. He can’t just murder someone in cold blood and come out of it okay on the other end.
RED : Nobody can murder someone in cold blood and come out okay on the other end.
LIZ : We need your help. We have to find Tanida before Ressler does. We’ve looked through his financials, his prison contacts, the brother, who –

RED : Tensei?

LIZ : The reborn.
RED : He’s dead.
LIZ : What do you mean, he’s dead? Aiko Tanida is running his brother’s empire.
RED : Aiko Tanida died the day his brother was captured by Ressler’s task force. Anyone who tells you otherwise doesn’t know the difference between a water buffalo and a musk ox.

THE CLUB

RESSLER : Mako Tanida! Agent Donald Ressler. Let’s go for a drive.

FBI SPECIAL OPS DIVISION

LIZ: Reddington says Aiko Tanida’s dead; died the same night his brother was apprehended by Ressler’s task force.
MEERA : No, we have documented proof he escaped, evidence from then –
LIZ : It was falsified. We need to review what happened that night. Think about it – no one’s seen or heard from the guy in four years. Our last known photograph is older than that. Aiko Tanida’s not hiding. He’s dead. We need to review the case files. Someone else is running Tanida’s business.
MEERA : This is the incident report from the NPA in Japan.
COOPER : What am I looking for?
MEERA : Most of the details support our own investigation. The vehicle carrying Aiko Tanida was ambushed. Only the driver’s body was found.
LIZ : “Most of the details”? What did we miss?
MEERA : Well, there was somebody else in the car. The NPA report makes a reference to an American federal agent accompanying the transport vehicle.
COOPER : What federal agent?
LIZ : Bobby Jonica. Jonica was on the task force. He had intimate knowledge of Tanida’s enterprise. He knew everything key players, trade routes, distribution hookups. And he was able to avoid detection by making us believe Aiko Tanida was still alive. Jonica is Tensei.

THE WAREHOUSE

The Cowboy is tied up

TOM : Who contracted you?
JOLENE : This isn’t right.
TOM : Who? Was it Younes? Salumbides? We shouldn’t have brought him …

He shows the Cowboy

TOM  :...here. Was it Reddington?
JOLENE : Somebody might have seen you.
TOM : You know what? You’re right. I should’ve let him grab you and drag you off to God knows where.
JOLENE : I can handle myself just fine.
TOM : You weren’t. But you’re welcome.
JOLENE : He’s not gonna talk.
TOM : It was Reddington.
JOLENE : You don’t know that.You don’t know that!

TOM : Do you know that this whole thing is because of you that we’re here with him? You never should have come to my house in the first place –
JOLENE : I was following orders.
TOM : And you never should have talked to my wife.
JOLENE : What are we gonna do about him?
TOM : You really don’t get it, do you what he’s doing? Wujing. The Alchemist.
JOLENE : What are you talking about?
TOM : The cases – Reddington used them to track you down, to get to you, to me. That means that you are compromised, and if you’re compromised, then it’s only a matter of time before your trail leads to me.
JOLENE : That’s not gonna happen.
TOM : Call my wife. Get her on the phone. Disengage.
JOLENE : Disengage?
TOM : Disengage. Tell her that you’re not looking for a place anymore, that your boyfriend got a job offer, and you’re moving to Dayton.
COWBOY : Don’t do it. As soon as you hang up that phone, he’s gonna kill you, then he’s gonna kill me. Don’t make that call.
TOM : Says the man tied to a chair. Do it.

Jolene calls Liz

JOLENE : Hi, Liz. It’s Jolene. Um I– I hope you haven’t gotten in touch with your realtor friend yet. The craziest thing just happened. Uh, my fiancé got a job in Dayton, of all places, So, um, major bummer. Uh, say goodbye to Tom for me, okay? There. Happy now? Ohh!

Tom and Jolene fight. After a few minutes,Tom suffocates Jolene

TOM : Okay. Now you.

He shoots the Cowboy

FBI'S CAR

BOBBY : Hey. You okay? Hey, Donny, we’re doing the right thing here.
TANIDA : How long did it take for your girlfriend to bleed out? You must be filled with rage.
RESSLER : You have no idea.
TANIDA : Maybe I do.
BOBBY : Hey, just keep it to yourself back there, huh?
TANIDA : Do you remember the night we met? The arrest, taking away me and my brother. That was the last I saw of him. The last anyone saw of him.
BOBBY : That’s a very sad story. Don’t listen to him, Donny. Hey, shut up back there.
TANIDA : Raimo and Maguire – I am satisfied they knew nothing .That leaves the two of you. You think I did all this because you arrested me?
BOBBY : I said shut up back there!
TANIDA : You were doing your job. I respected that. What I do not respect is that you killed my brother.
BOBBY : Just shut your mouth!
TANIDA : Took my business.
RESSLER : Bobby, what is he talking —
BOBBY to Tanida: Not one more word out of you!
RESSLER : Bobby, talk to me. Talk to me.
BOBBY : Never mind him, Don. Don’t listen to him.
TANIDA : He’s gonna kill both of us!
BOBBY : Shut up!

Ressler grabs Donny. Struggle for gun.

RESSLER : Donny, let go!

Struggle. Car crashes … Ressler comes to in overturned car, still has gun. Tanida is cuffed to inside of car. Ressler sees Bobby struggling up incline in snow to get away, kicks out window and pursues him. Overtakes him


RESSLER to Bobby : Don’t move, brother. Don’t even breathe.

FBI SPECIAL OPS DIVISION

LIZ : He picked up Tanida. After that, nothing. We found his cell in his apartment. The GPS in his car has been deactivated. He’s off the grid.
COOPER : Prince George’s county. Ressler has a place there. It’s where he was going with Audrey. If he wants to be alone – Get there now.

PRINCE GEORGE'S COUNTY

BOBBY : What are you doing, Donny? Come on. Doesn’t have to be like this. You got to understand me, Donny. I’m chasing scumbags all around the world, making millions of dollars. Come on, Donny. This is me. What are you telling me — the boy scout’s gonna kill his best friend?
RESSLER : “Best friend.” Couple months back, I was in this hospital. I’d been shot. Sitting in there for days, all alone. And Audrey just pops into my head. Couldn’t have been more than an hour later, she walks in. It’s like the universe tilted and brought her to me, like it was fated to happen. But It wasn’t fate. You know why? Reddington. I can tell you this because you’re gonna die. I work with Reddington. Believe it or not, I was shot protecting him. That’s why I was in that hospital. It’s because of Reddington that Audrey came back into my life. He’s why I got three more months with her. And because of you she’s gone. My greatest enemy brought her back to me, and my best friend took her away!
BOBBY : No, no. Donny, you’re wrong. I didn’t kill Audrey. Tanida did.
RESSLER : Don’t! No, you brought this down on us, on Pete and on Sam. You’re gonna do the honorable thing. Or I’ll kill you myself.

FBI SUVs come upon over-turned car. They get out

LIZ : Call an ambulance. Set a perimeter.

Ressler tosses Bobby a long knife

RESSLER : Pick it up.
BOBBY : That’ll be crazy. I’m not gonna do this. What are you crazy?
RESSLER : Pick it up!
BOBBY : I’m not gonna do it, Donny! You’re gonna have to shoot me first! Come on! What are you, crazy?!
RESSLER : Pick up the damn knife.
BOBBY : No.

Liz arrives

LIZ : Ressler, no!
RESSLER : They’re all dead, Liz. Audrey’s gone.
LIZ : This isn’t the way.
RESSLER : What if he killed Tom? What would you do?
LIZ : Listen to me if you do this, you’re gonna go to jail for the rest of your life.
BOBBY : Do it, Donny. Do it. Go ahead, Donny. Donny, pull the trigger.
LIZ : Don’t listen to him.
BONNY : You know what they’ll do to me in prison, Donny. A dirty cop – I can’t do that, Donny.
RESSLER : Come on. Pick it up.
LIZ : Put down the gun, Ressler!
BOBBY : Come on. Pull the trigger.
RESSLER : Pick it up! Do it! Pick it up.
BOBBY : Pull the trigger, Donny.
LIZ : Don’t listen to him.
BOBBY : She’s dead because of me, Donny! Do it! Pull the trigger!
RESSLER : Pick it up! Pick it up.

Ressler shoots, but intentionally misses him. He turns to leave with Liz

BOBBY : Donny I’m sorry, Donny. Donny.

Bobby takes knife and plunges it into his abdomen. Men are hosing down overturned vehicle. Ressler sees Bobby’s handcuffs are open and Tanida is gone

RESSLER'S APARTMENT

Donald is at home.He looks at Audrey's affair

THEATRE

At the Ballet, dancers talking about a mysterious donor

DANCER : He’s one of our biggest donors. Never comes to any other performance. Same show on the same day every year. They say his daughter was in the show years ago.
CHRISTINE : Ladies, you’re paid to dance, not to gossip.

A FOREST,LOCATION UNKNOWN

In the dark, Tom is burying Jolene and Cowboy

THEATRE

Red sits in the theatre

RED : The cowboy, have you found him?
DEMBE : No.
RED : The girl?
DEMBE : Nothing. Both of them they’re gone.

KEEN'S HOUSE

Tom is showering. A small amount of blood is flowing down the drain

LIZ : Hey.
TOM : Hey.
LIZ : Mind if I join you?
TOM : Not at all.
LIZ : How was your day?
TOM : Let’s talk about anything but that. Like that girl Jolene.
LIZ : What about her?
TOM : Did, uh, did Ellie find her a place?
LIZ : I guess it’s not happening. She called me and left a message said her fiancé got a job in Dayton.
TOM : Huh. So, what she’s just – Gone?
LIZ : I guess so. I’m kind of glad. I saw the way she looked at you. Come here. Kiss me, “Tim,” or whatever your name is.

THEATRE

Red is watching performance of Swan Lake, alone except for Dembe a few rows back

Flash-back : Ressler's apartment . Dembe knocks on door. He hands Donald a box. Inside is the severed head of Mako Tanida, with a note :
RED'S VOICEOVER :
Donald, I want you to know that I do understand how you feel.”
DEMBE : From Mr. Reddington
“There is nothing that can take the pain away.
But eventually, you will find a way to live with it.
There will be nightmares.
And every day, when you wake up, it will be the first thing you think about.
Until one day It will be the second thing.”
Adapté du site «The Blacklist Classified», mise en page par mnoandco


 

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