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Blacklist
#102 : Le freelance

Ecrit par: Jon Bokenkamp
Réalisé par:
Jace Alexander

Red pressent une catastrophe imminente qui serait l'œuvre d'un assassin appelé "le Freelancer". Liz et Red décident d'agir ensemble incognito pour l'empêcher de tuer sa prochaine victime, Floriana Campo. Dans le même temps, Ressler et une nouvelle recrue de la CIA, Meera Malik, intégrée à la garde privée de Red, les surveillent à distance. De son côté, Liz réfléchit à ce qu'elle devrait faire à propos de son mari, Tom et de la mystérieuse boîte.

Popularité


4.57 - 7 votes

Titre VO
The Freelancer

Titre VF
Le freelance

Première diffusion
30.09.2013

Première diffusion en France
27.08.2014

Vidéos

Bande annonce VO

Bande annonce VO

  

Photos promo

Raymond Reddington (James Spader) fortement encadré

Raymond Reddington (James Spader) fortement encadré

Liz (Megan Boone) et Red (James Spader) travaillent ensemble

Liz (Megan Boone) et Red (James Spader) travaillent ensemble

Elisabeth Keen (Megan Boone) poursuit le Freelance

Elisabeth Keen (Megan Boone) poursuit le Freelance

Harold Cooper (Harry Lennix) , chef de la Task- Force

Harold Cooper (Harry Lennix) , chef de la Task- Force

Raymond Reddington (James Spader) propose un marché à Cooper

Raymond Reddington (James Spader) propose un marché à Cooper

Elisabeth (Megan Boone) passe au détecteur de mensonges

Elisabeth (Megan Boone) passe au détecteur de mensonges

Floriana Campo (Floriana Campo) porte un toast

Floriana Campo (Floriana Campo) porte un toast

Raymond Reddington (James Spader) regarde son hélicoptère arriver

Raymond Reddington (James Spader) regarde son hélicoptère arriver

Les associés de Red l'attendent : Dembe (Hisham Tawfiq) et Luli Zeng (Deborah S.Craig)

Les associés de Red l'attendent : Dembe (Hisham Tawfiq) et Luli Zeng (Deborah S.Craig)

Elisabeth Keen (Megan Boone) remet la boîte à sa place

Elisabeth Keen (Megan Boone) remet la boîte à sa place

Donald Ressler (Diego Klattenhoff) a sorti son arme

Donald Ressler (Diego Klattenhoff) a sorti son arme

Elisabeth Keen (Megan Boone) peu coopérative

Elisabeth Keen (Megan Boone) peu coopérative

Raymond Reddington (James Spader) et Dembe (Hisham Tawfiq)

Raymond Reddington (James Spader) et Dembe (Hisham Tawfiq)

Donald Ressler (Diego Klattenhoff) parle avec son chef Harold Cooper (Harry Lennix)

Donald Ressler (Diego Klattenhoff) parle avec son chef Harold Cooper (Harry Lennix)

Donald Ressler (Diego Klattenhoff) arrive-t-il a impressionner Raymond Reddington (James Spader) ?

Donald Ressler (Diego Klattenhoff) arrive-t-il a impressionner Raymond Reddington (James Spader) ?

Dembe (Hisham Tawfiq)

Dembe (Hisham Tawfiq)

Raymond Redddington (James Spader) enfermé dans la boîte

Raymond Redddington (James Spader) enfermé dans la boîte

The Freelancer, le freelance (Daniel Sauli ) #145

The Freelancer, le freelance (Daniel Sauli ) #145

Raymond Reddington (James Spader ) et Elisabeth Keen (Megan Boone) dans un restaurant à Montréal

Raymond Reddington (James Spader ) et Elisabeth Keen (Megan Boone) dans un restaurant à Montréal

Donald Ressler (Diego Klattenhoff) en plein travail

Donald Ressler (Diego Klattenhoff) en plein travail

Elisabeth Keen (Megan Boone) et Raymond Reddington (James Spader) tentent de localiser le Freelance

Elisabeth Keen (Megan Boone) et Raymond Reddington (James Spader) tentent de localiser le Freelance

Raymond Reddington (James Spader) déjouera-t-il le détecteur de mensonges?

Raymond Reddington (James Spader) déjouera-t-il le détecteur de mensonges?

Floriana Campo (Isabella Rossellini ) discute avec Elisabeth Keen (Megan Boone)

Floriana Campo (Isabella Rossellini ) discute avec Elisabeth Keen (Megan Boone)

Diane Fowler (Jane Alexander ) préside la réunion

Diane Fowler (Jane Alexander ) préside la réunion

Elisabeth Keen (Megan Boone) parle de l'affaire

Elisabeth Keen (Megan Boone) parle de l'affaire

Diffusions

Logo de la chaîne TF1

France (inédit)
Mercredi 27.08.2014 à 21:40
6.78m / 32.0% (Part)

Logo de la chaîne NBC

Etats-Unis (inédit)
Lundi 30.09.2013 à 22:00
11.35m / 3.3% (18-49)

Plus de détails

Personnage Blaklisté: N°145: THE FREELANCER

Photos du tournage

Guests:

Isabella Rossellini ... Floriana Campo
Jane Alexander ... Diane Fowler
Daniel Sauli ... Serveur/ The Freelancer
Kaija Matiss ... Anya Kedrov

Liz et Red passent au détecteur de mensonges du Département de la Justice afin que le gouvernement puisse découvrir les motivations de Red et ses plans. Diane Fowler, chef de la division criminelle, insiste pour que Red n'obtienne pas l'immunité ; le Procureur Général le poursuivra comme il le ferait avec n'importe quel criminel. Cooper maintient que Fowler ne sait pas à qui ils ont affaire. A mi-interrogatoire, Red alerte les fédéraux d'un incident imminent au parc industriel de Decatur. Ils écument la région mais rien ne semble suspect. Soudain, un train de passagers hors de contrôle arrive à toute vitesse sur eux. Le FBI se met rapidement en sécurité, le train déraillant et s'écrasant faisant plusieurs victimes. 

Après une visite à Tom toujours dans le coma, Liz dit à Red que c'est elle qui dirige maintenant. Elle veut connaître tout ce que Red sait sur l'épave du train et l'avertit que son immunité n'est pas en bonne voie. Red la prie de différer mais néanmoins joue le jeu. L'homme qu'ils recherchent s'appelle le Freelance. Il déguise tous ses assassinats en tragiques accidents, comme il l'a fait avec le crash du train. Red connaît un intermédiaire qui peut les aider mais il aurait besoin de le voir en personne à Montréal et Liz devrait l'accompagner. Pendant que Cooper dit à Ressler de le prendre en filature, Liz interroge Red sur la boîte cachée sous son plancher. Au lieu d'indiquer s'il a quelque chose à voir avec la boîte, Red informe Liz qu'elle est assise sur une tonne d'accusations criminelles et que sa situation avec Tom est quasiment impossible.

A Montréal, Red et Liz partagent une table dans un bon restaurant français pendant que Ressler et son équipe surveillent discrètement d'un van. Liz profile Red à contrecoeur : c'est un solitaire qui déteste avoir besoin d'elle parce que cela le rend vulnérable. Red refuse de répondre aux questions de Liz et en échange lui demande : «Que diriez-vous si je vous disais que toutes les choses que vous croyez savoir sur vous sont des mensonges ?». Quand Red transmet quelque chose au sommelier, Ressler panique. Ses hommes prennent d'assaut le restaurant craignant que Red s'échappe mais en fait il est déjà parti. Liz et Ressler se disputent et finalement retrouvent Red dans le van : son contact était l'employé au vestiaire. Red a laissé 100 dollars dans son chapeau et en échange, son contact lui a laissé une photo de la prochaine cible du Freelance, Floriana Campo.

Considérée comme une sainte et une héroïne par Liz, Floriana dirige la plus grande organisation anti-trafic sexuel à but non-lucratif au monde. Le FBI estime que le Eberhardt Cartel veut sa mort. Le Cartel a tué son mari quelques années en arrière et a probablement engagé le Freelance pour s'occuper d'elle. Campo refuse d'annuler sa collecte de fonds pour la nuit suivante à Manhattan et la protection du FBI. Liz a besoin que Red identifie le Freelance mais il ne parlera pas jusqu'à ce que son marché soit conclu ce qui inclut ses gardes personnels. Fowler signe à contrecoeur le compromis officieux mais jure que Red n'aura jamais l'immunité. Elle impose quelqu'un de confiance dans l'équipe et ce sera l'agent de la CIA Meera Malik.

Red retrouve son chauffeur Dembé et Luli Zeng qui gère son argent et ensuite dit à Ressler que s'ils veulent identifier le Freelance ils doivent se rendre à la collecte de fonds. Liz, Red et Ressler s'habillent pour l'occasion et Red découvre que le Freelance travaille comme serveur. Liz et Ressler poursuivent l'homme jusque dans la rue où un taxi le heurte. Ressler et Meera l'interrogent et découvrent que c'est Red qui l'a embauché pour tuer Floriana ; Liz se précipite dans la chambre d'hôtel de Floriana et y trouve Red qui lui explique calmement qu'elle est à la tête du Cartel Eberhardt...Elle ne sauve pas les filles, elle les asservit et utilise son organisation comme couverture. Comme Floriana admet que c'est la vérité, elle s'effondre prise de convulsions. Red l'a empoisonnée et elle meurt avant que Ressler et Meera n'arrivent.

A l'aube, Red trouve Liz assise sur un banc. Le FBI confirme tout ce qu'il a dit sur Floriana et qu'ils ont pu sauver son dernier chargement de filles. Red est plus intéressé sur les intentions de Liz concernant Tom. De retour chez elle, Liz remet la boîte dans sa cachette sous le plancher, pose une nouvelle moquette et passe prendre son mari à l'hôpital. Incapable de dormir, elle défait les affaires de Tom, celles de l'hôpital, et y découvre une clé USB étiquetée profil d'Elisabeth Keen. Cela semble suspect mais elle contient une vidéo d'un Tom adorable parlant à l'agence d'adoption de la maman formidable que Liz allait être ...celle-ci ne peut retenir ses larmes.

                                                                                           

Traduit et adapté du résumé du site officiel par mnoandco

F.B.I. HIGH VALUE DETAINEE SITE
LOCATION UNKNOWN

"Sympathy for the devil" plays
Keep the cell arrives in the Red and gives his garment.
They dressed and escort it to the outside. It is on a aircraft carrier.

RED: You ready? [ chuckles ] Well, now, that's a stupid question.

He was taken to F.B.I special ops division.

F.B.I. SPECIAL OPS DIVISION
WASHINGTON, D.C

Liz's interrogation room.

MAN: Monday, 9:07 A.M. examiner Hatch. Subject... Elizabeth Scott Keen. Here we go. Before Monday of last week, did you have, or have you ever had, personal contact with Raymond Reddington ?
LIZ: No.
MAN: Did Reddington notify you before he surrendered himself to the FBI ?
LIZ: No.

Red's interrogation room.

MAN: Have you ever been convicted of a crime ?
RED: Convicted? Not yet.
MAN: Please answer "yes" or "no." Have you ever been convicted of a crime ?
RED: You're wasting valuable time.

Cooper and Ressler look Red's interrogation.

MAN: Does Elizabeth Keen know why you surrendered yourself ?

STRATEGIC INFORMATION AND OPERATION CENTER
F.B.I. HEADQUATERS

COOPER: He's telling our people he wants immunity, that he's willing to cooperate, give us names.
WOMAN: What names?
COOPER: He's got a list, alleges he can deliver us high-value criminal targets if the justice department grants him immunity.
MAN: What's his legal status?
WOMAN: The man sold secrets to the Hofstad network, to the Syrians.
FOWLER: He's not getting immunity. Talk to me about containment. Who knows we've got him?
COOPER: Including us in this room... A total of 26 people. Remember, he's been off the grid for over 20 years.
FOWLER: Yet he seems to know things even you don't. About this, uh, Elizabeth Keen... says her father has some kind of criminal record?

F.B.I. SPECIAL OPS DIVISION

Back in the Red's interrogation room.

RED: Yes.
MAN: Before Monday of last week, did you have, or have you ever had, personal contact with Elizabeth Keen?
RED: No.
RESSLER: He's lying.
MAN: Does Raymond Reddington know, or has he ever known, your husband?

STRATEGIC INFORMATION AND OPERATION CENTER
F.B.I. HEADQUATERS

COOPER: His name's Tom Keen. Schoolteacher, 4th grade. He's currently in a medically induced coma, was nearly killed last week during an altercation on a case Keen was working.
FOWLER: He gonna survive ?
COOPER: The situation is uncertain.
FOWLER: You're confident that the husband's not involved with Reddington?
COOPER: No. The truth is we don't have any idea who Reddington may be involved with.
FOWLER: Then why should we trust him?

F.B.I. SPECIAL OPS DIVISION

Back in the Red's interrogation room.

RED: You're asking the wrong questions.I'm trying to help you with a matter of some urgency. It's your choice whether you listen to me or not, but there will be an incident at 11:00 this morning at the decatur industrial park. I would send ambulances.

STRATEGIC INFORMATION AND OPERATION CENTER
F.B.I. HEADQUATERS

COOPER: We need to move quickly.
WOMAN: He's a prisoner. He has no legal position to negotiate from.
MAN: Charge him under the patriot act. See what he has to say then.
COOPER: He'll only speak with Keen.
FOWLER: It's not up to him.
WOMAN: I don't think...
COOPER: You understand how delicately the situation needs to be handled. Reddington has brokered some of the most comprehensive international criminal activity in the past 20 years. He has access to targets we don't even know exist. Now, he's telling us there may be some kind of an event about to happen at the decatur industrial park.
FOWLER: I don't think you understand. You don't run the criminal division of main justice. I do. The Attorney General is not going to accept a deal. Reddington is a criminal, and we're gonna take credit for catching him. Our office will lay out the charges.
COOPER: I hope you understand that from time t...
FOWLER: There is... No... Deal. Am I clear ?

F.B.I. SPECIAL OPS DIVISION

Liz's interrogation room.

LIZ: Yes
MAN: And have you been truthful to the best of your knowledge ?

DECATUR INDUSTRIAL PARK

RESSLER: So, what do we got ?
MAN: Swept the entire yard. Got multiple teams working the property, k-9 units. Nothing. I mean, look around. I got two city blocks of hiding places, and I don't even know what the hell I'm supposed to be looking for. I need more information. What's the specific tip ? Who did it come from ?
RESSLER: We got an informant who's dicking us around. Says we're gonna need rescue units here at 11:00. It's already 11:20. Give it another 20 minutes and wrap it up. I want bomb squads, medics. I want everybody out.
MAN IN THE RADIO: We've got a problem. A passenger train just blew through.
RESSLER: Come again ? What was that ?
MAN IN THE RADIO: I said you have a passenger train coming in your direction. It's over speed. Clear the area. Get everyone out.

Train whistle blows. Indistinct shoutin. Everyone run. The train derailed.

RESSLER: Clear! Clear out ! Get your men out of here ! Clear !

HOSPITAL

Liz is with Tom.

LIZ: Those things I found under the floor, they're not yours, right? He put them there... the gun and the passports. Tell me Reddington did this, and not... I wish you were here so you could explain yourself.

KEEN'S HOUSE

Liz looks the box then a picture of her and Tom. She puts things in the box

 

F.B.I. SPECIAL OPS DIVISION

Newscast

TV'S PRESENTER60 people have been confirmed dead and dozens injured after a passenger train derailed this morning at the decatur industrial park.
COOPER: 60 people are dead because of you.
RED: 60 people are dead because you don't return my calls, Harold. If you want to save lives and catch the bad guys, pay attention.
COOPER: They're not going to make your deal.
RED: That's unfortunate. The next name on my list is an absolute snake.
COOPER: The train. How did you know ?
RED: I know lots of things. But the train I didn't. I knew the time, the place, but the train was a big surprise.
COOPER: We've ruled out terrorism.
RED: Look at the list of casualties, Harold. You'll find some councilwoman from Albany. Apparently she's been tangling with some rather cunning, powerful people.
COOPER: You're saying the derailment was an assassination ?
RED: I'm not saying anything... Unless it's to Elizabeth Keen.

A few minutes later, Liz arrives at the Red's cell, that is about to open

LIZ: Tell me about the train wreck.

Red laughs

RED: If you had any idea how far I've traveled to see you again, Lizzy.
LIZ: My name's "Liz," not "Lizzy." To you, I'm Agent Keen. Now, I've heard all your demands, but I don't think you've heard mine, so let me tell you how this is gonna work. I ask the questions, you answer them.Screw with me, and I walk. Understood ?
RED: How is Tom ?
LIZ: They're never gonna give you immunity. Not a chance.
RED: Oh, I think they will. Otherwise, what am I doing here ? I'm perfectly happy to go back to the boat.
LIZ: Tell me about the train wreck.
RED: What would you like to know ?
LIZ: Everything.
RED: The train accident was no accident. You know that. But what you don't know is the man behind it... Is quite prolific. He's responsible for a slew of other premeditated killings just like this one, disguised as accidents. Shall I go on ?

He shows her his chains. A few minutes later, in control center.

RED: A building collapses in Moscow, a ferry capsizes on the Brahmaputra River. These are the events we've come to expect on the evening news. But in truth, there's always more to the story. Hidden between the facts and figures, the victims and the heroes, there's always a murder. The work of a man who disguises his killings in the headlines of everyday tragedies.
RESSLER: What proof do you have ?
RED: His work is difficult to detect, but the victims are there. An appellate court judge in Ohio, a French diplomat who dies in a plane crash. Look closer. The pattern will emerge. Over the last seven years, more than 3,000 innocent civilians have died, all collateral victims as a result of this man's unique methods. In the 20-odd years I've been working my side of the tracks, I have not encountered another contractor who's had as significant an impact on the civilian population as he. He's rivaled only by governments and terrorist organizations. And you've never heard of him. I have it on good authority that his next contract will take him to New York. This is not an opportunity to ponder or deliberate, because once he's done, he's gone.
COOPER: This guy have a name ?
RED: They call him "the freelancer."
COOPER: And how do we find him?
RED: You don't find him. I do.
RESSLER: What, are you two pen pals ? You guys send each other, uh, coded e-mails ?
RED: I don't have e-mail or a phone or... An address. I prefer to handle my business face-to-face.
LIZ: You've met him.
RED: Once. I brokered a few jobs. He works through an intermediary. He might be for sale. Perhaps I should set a meeting.
LIZ: Maybe you should.
RED: You should come. Just the two of us... no wires, no clumsy agents in the bushes. You want me to make an introduction, you need to trust me with my source.

Cooper looks at Liz then Red.

RED: Ah! What fun! You'll need a dress.
COOPER: And where would this meeting be?
RED: Montreal.

In the corridor.

LIZ: What do you know about the passports ?
RED: What passports ?
LIZ: You know what I'm talking about. As far as I'm concerned, you put them there.
RED: Put what, Lizzy ?
LIZ: The box. The money and the gun. The passports.
RED: Who else have you told ?
LIZ: What ? Nobody.
RED: Have you told Cooper?
LIZ: No.

In another passage.

 

COOPER: I want you to shadow Reddington to Montreal. Contact our people in the royal Canadian mounted police. I want complete surveillance. Take them both down... Reddington and his liaison.

Back with Liz and Red.

RED: If you go to the police, they'll file charges. If the gun's not registered, it's a felony. The passports are 25 years each. On the other hand, if you confront him, what good does that do? He'll deny everything, and you'll continue to doubt him. Either way, it's... An impossible situation.

MONTREAL
BOULEVARD SAINT LAURENT

Liz and her Red in a taxi in front to the restaurant.

LIZ: Before we do this, let me be clear... I'm not here to socialize. I have no interest in having dinner with you, nor do we have the time. We meet your contact, we get the name of the freelancer's next victim, and we go. Understood ?
RED: I agree with you completely. But it is a restaurant, and it is dinnertime.

He came out. Liz breath then out in turn.

LIZ: So, what does this liaison look like ?
RED: Let's not get ahead of ourselves.

They enter in restaurant. Ressler and team watch them in a truck.

RED: Anyone asks, you're my girlfriend from Ann arbor.
LIZ: Absolutely not.

Red Chuckles

RED: Fine. You can be my daughter.
Waitress: Bonsoir.
RED: What would you like to drink ?
LIZ: I'll have wine. Chardonnay ?
RED: S'il vous plaît, pour madame, un cocktail de I'aviation.

On truck.

RESSLER: This one. Here. Bring that up.
MAN: Running facial recognition now... No hits off the database yet.

In the restaurant. The waitress brings the cocktails.

LIZ: Ahh. Oh, this isn't what I ordered.
RED: Merci. (to Liz) To the future. Aviation cocktail. Uh-huh ? It's from the '20s. Hmm. Tastes like spring, doesn't it ? (he smiled) Tell me about your job. The profiling. I'm fascinated. How close to the truth do you think you can really get ?
LIZ: Where's your contact ?
RED: Tell me my profile.
LIZ: Why would I do that ?
RED: You've heard the debriefs. You've read Ressler's book reports. I so want to know how you... See things.
LIZ: You're a loner. You keep your distance.You're a loner. You keep your distance. You travel freely through foreign lands. You're rootless. You're very comfortable here with your glass of scotch, but you're just as comfortable sleeping in a cave with rebels or sharing dinner in some hole-in-the-wall noodle shop. Your closest friends are strangers. You understand that tight bonds can make you vulnerable, so you're careful not to have any. And that's why you're so conflicted about me. You need me. And you hate that about yourself, because it makes you vulnerable.
RED: Tell me about your husband. Does he know you as well as you know him ?
LIZ: Your contact is late.
RED: Does he know about you as a child ?
LIZ: It's been 35 minutes.
RED: Does he know about the fire ?
LIZ: Why am I so important to you ? Did you know my parents ?

He made a sign to the server.

LIZ: I asked you a question.
SERVER:Oui, monsieur ?
RED: S'il vous plaît, apportez-nous une bouteille quatre vingt deux chateau latour.

It gives something to the server. Ressler seen.

SERVER: Très bon choix.

Server's back.

LIZ: Are you gonna keep trying to impress me with your knowledge of French wine, or are you gonna answer my question?
RED: What if I were to tell you...That all the things you've come to believe about yourself are a lie?

He looks around.

RED: Please excuse me for a moment.

He left the table. Ressler grabs his jacket.

RESSLER: He's onto us ! Go! Go! Move! Now.

The team and the police towards the restaurant as Red flees through the kitchen. Red's triggers the alarm. Ressler find the server.

RESSLER: Hands ! Show me your hands ! What did Reddington give you ? Do you understand English ?
SERVER: Yep !

He finds a note in his hand.

OUTSIDE

RED: What the hell was that? You sold him out.
RESSLER: You let him go.
LIZ: I let him go ? Who notified rcmp ? You compromised an asset.
RESSLER: He's number 4 on the most wanted list, Keen. What did you expect ? And now he's gone because of you !

Ressler opens the truck.

RED: Hey, there, guys.
RESSLER: You planned this! You knew he would never show!
RED: Take a breath, agent Ressler. You think I'm gonna fly all the way to Montreal for the cheese cart? My contact was the first person I saw when I walked into the place. I told you he would help, and he did.
LIZ: The coat-check attendant.
RED: I left payment in my hat. In exchange, he left a photo of the assassin's next victim.

Red gives to Liz a picture.

LIZ: Floriana Campo. The human-rights activist ?
RED: There you have it... a solid lead delivered exactly as promised. Find Floriana Campo, you find the freelancer. Not bad for a day's work. Let's celebrate. Hey, Donald. How 'bout that cheese cart ?

NEW YORK CITY
MIDTOWN WEST

RESSLER: Floriana Campo ? Donald Ressler. Elizabeth Keen. FBI. We need to have a word with you.
LIZ: We have reason to believe someone's planning an assassination attempt on your life.
RESSLER: Tonight's fundraiser needs to be canceled.
FLORIANA: Oh, it can't be canceled. It's a donor event, and I have my own security.
RESSLER: It's too risky.
LIZ: We can't guarantee your safety.
FLORIANA: Nobody can guarantee my safety. I have many enemies... traffickers, cartels.
LIZ: We know what they did to your husband, what you've gone through. Your work, it's been an inspiration. I wrote my senior thesis on your time in Kuala Lumpur. I was going through a very bad time. And in some ways, I think you helped me through it.
FLORIANA: Do you have children, agent Keen?
LIZ: Uh, Elizabeth. And... If all goes well...
FLORIANA: There is no work more meaningful than being a mother. I didn't have kids of my own. This is my one regret. But these girls that I'm trying to protect, they are my family. Tonight is for them. I won't cancel.
LIZ: Look, we can't force you to accept our protection, but we need your help to find the man contracted to kill you. To identify him, to capture him, we need you to cooperate... you're our only link. Will you help us ?

F.B.I. SPECIAL OPS DIVISION

LIZ: She spent 15 years with the U.N., stationed primarily in eastern Europe with small stints in north Africa. In 2000, she helped pass the trafficking victims protection act. Since that time, her nonprofit has raised over $35 million in her campaign to eliminate human and sex trafficking around the globe. Three years ago, her husband was murdered by the Eberhardt cartel. 
RESSLER: Eberhardt is the most ruthless human-trafficking cartel in Europe. 2008, their founder was killed leaving a power vacuum. To this day, nobody knows who's actually running the outfit. What we do know is that he's merciless. Murdered rival cartel leaders to expand his reach. Survivors tell stories of torture and forced addiction. He killed Floriana Campo's husband, and he most likely hired the freelancer to kill her.
LIZ: We're doing everything we can to disrupt the freelancer's plan. We've changed schedules, travel routes.
COOPER: And you've moved tomorrow night's event ?
RESSLER: Yes, based on what we know about the freelancer, he takes months to plan these attacks. If he had something planned for tomorrow, he's gonna need to pass through our security in order to pull it off.
COOPER: What good does that do if nobody knows what he looks like ?

RED CELL

LIZ:  I need your help. You said you've seen this guy once. We're compiling photos of the people who are scheduled to attend the event tomorrow, and...
RED: It's the reason why I'm here. But I won't say another word until the terms of my deal are met. I'm so sorry to bother you with these trivial details, but it's a simple yes or no.

STRATEGIC INFORMATION AND OPERATION CENTER
F.B.I. HEADQUATERS

FOWLER: No. His lawyers drafted this ?
COOPER: . He did. Reddington represents himself in legal matters.
FOWLER: A DARPA-tested, fully encrypted, 8-millimeter tag ? I don't even know what that is.
COOPER: It's a tracking device.
FOWLER: And what's this about his "private security detail" ?
COOPER: He's given us a list of five names, wants us to pick two.
FOWLER: Which are the two least offensive ? 
COOPER: Ex-freedom fighter from South Sudan. Sources indicate he's Reddington's former bodyguard, goes by the name of "Dembe."
FOWLER: Does Dembe have a last name?
COOPER: No, ma'am. Just Dembe. Like Prince or Madonna. The second is Luli Zeng. Phd in economics from Stanford. Dodged federal prison twice. S.E.C. Says she's untouchable. We think she's moving Reddington's money.
FOWLER: How would I justify this ?
COOPER: You don't. It's off the books.
FOWLER: And he's what... our informant, slowly working his way towards immunity ?
COOPER: Which he's never going to get. We have a chance to catch a mass murderer.
FOWLER: One condition... you bring in somebody I know and trust. Meera Malik, CIA. She can help navigate international waters.
COOPER: Fine.
FOWLER: One day, you and I will be talking about this moment in front of a senate hearing. God help us.

RED CELL 

RESSLER: You got your deal. Our turn now. Compiled a list of the attendees for tonight's event.
RED: Is this really the right approach ?
RESSLER: Hey. I'm right here. Talk to me.
RED: Honestly, is this how the FBI does things... comb through the invitation list? This guy didn't rsvp. I've seen the man. If he shows up tonight, if you're going to have any hope of identifying him, you need to put me in that room.
LIZ: So, you want to go to the party ?
RED: Oh, I thought you'd never ask.

CORRIDOR

RED: Dembe.

Red and Dember salvation herself . Meera comes to Ressler

RED: Luli, my dear.
LULI: Raymond.

They kiss on the mouth. Liz and Ressler are surprise.

 

RED: Watch yourself with her, Donald. She hates men, and cops most of all. You, I don't know.
MEERA: Meera Malik.
RED: You look like the CIA.
MEERA: Oh, yeah? What's the CIA look like?
RED: Attractive but treacherous.
MEERA: I guess we'll find out.

Red Laughs.

RED: This is gonna be a gas.

FLORIANA'S FUNDRAISER

Red arrives with Liz. Dembe follows them. Ressler talks to Meera before leaving his side. He joined Dembe in the bar.

RESSLER: So you know, the way this works, we don't typically drink on the job.

Dembe finished his drink and leaves.

RED (to a server): No, thank you.
LIZ: Your 7:00 ?
RED: No. Where's that woman with the mushroom puffs ?

Liz leaves to join Floriana.

LIZ: You okay ?
FLORIANA: Oh, yes. I'm fine. A wonderful evening.
LIZ: What's wrong ?
FLORIANA: I just got word that a shipment we were trying to track has gone missing.
LIZ: Shipment?
FLORIANA: Girls, more than 60 of them.
LIZ: Where? There must be something the bureau can do.
FLORIANA: Oh, it's too late. They're gone.
MAN: Ladies and gentlemen, if I may have your attention.
ANYA: My name is Anya Kedrov. I've been asked to say a few words. I spent three years of my life in a 9'x9' room living in hell, forcibly addicted. For all I survived, I still carry a daily reminder. The people who took me, the Eberhardt cartel, they brand their servants by carving their symbol into the flesh on our backs. But as bad as I had it, there is always someone who had it worse. Truth is, it's only through acknowledging and claiming these experiences that we can really put a face on the crime that is human sex trafficking. Tonight, I'd simply like to say thank you. Thank you, Floriana.

Applause.

FLORIANA: Oh, thank you, Anya. And thank you for coming tonight. I'm sure you've noticed we're not at the met. We had to relocate for security reasons. Each one of you could have stayed home, succumbed to fear. But you didn't. You came. You're here. You, I, Anya stand here in solidarity... with the people who cannot be here with us... Yet.

Applause. Red looks one waiter.

RED (to Liz): It's him.
LIZ: What ?
RED: The waiter. The freelancer. I remember two years ago my late husband was in South Sudan. Clear the area. Now. We saw a boy...

The waiter sees Liz and flees.

LIZ: Stop ! FBI !
MAN: Federal agent !
MAN 2: Clear the pool area !
LIZ: It's the waiter! He's heading towards the stairs ! Stop !
WOMAN: Watch out !

The door closes. Ressler shoves.

RESSLER (on the radio): Close the door !

Ressler grabs the waiter but he jumps over the balcony.

RESSLER: We're heading east! I repeat, heading east on 59th !

They run into the street.

RESSLER: He's heading across town toward 63rd !
LIZ (to a taximan): FBI. Out of the car. (on phone) I'm heading in your direction. Give me an update.
RESSLER: 200 west 57th. He's gonna be coming out the back.

Liz overthrew the waiter

IN A BASEMENT

Two agent brings the waiter.

WAITER: My leg. I need an ambulance.
RESSLER: Well, I need names. Tell me about the Eberhardt cartel.
WAITER: I don't know what you're talking about.
RESSLER: Who's in charge of the cartel ? Who hired you to take out Campo ?

He spits on Ressler. Ressler strikes him. In a hallway, Liz brought Floriana in his room.

LIZ: Sweep the floor. Lock it down.
MAN: We're all clear inside.

Meera to come Ressler. She walks on the  waiter foot.

MEERA: He asked you a question.
WAITER: I can't.
MEERA: Last time. Who hired you ?

She moves the broken leg.

WAITER: No !
MEERA: My friend here is with the FBI. I'm from the CIA you know the difference, don't you ? Now, we haven't got much time because you have a compound fracture and you're bleeding internally, so we're going to expedite things.
WAITER: I can't.
RESSLER: A name.
WAITER: Reddington. He hired me.

FLORIANA'S ROOM

FLORIANA: Thank you. For everything.

Liz's phone vibrating.

LIZ: Don't leave your suite.

She goes outside.

RESSLER: It was Reddington. He hired the freelancer.
LIZ: What ? No. How could he ?
RESSLER: The coat-check attendant. Think about it. The coat check didn't leave the picture in red's hat. Red left it for him. He was signaling the hit.
LIZ: Why?
RESSLER: Couldn't get close enough to do it himself.

FLASHBACK
" FLORIANA: I have my own security. So, you want to go to the party ?
RED: Oh, I thought you'd never ask. It's him, the waiter."

 

RESSLER: Pointing out the freelancer was a diversion. He wanted us to empty that party. He wanted to get her alone.

FLORIANA'S ROOM

FLORIANA: How did you get in here ? Where's my security ?
RED: Your security is occupied.
FLORIANA: This is because of you. The threats, the FBI.
RED: The FBI works for me now.
FLORIANA: Why are you doing this, Raymond ? I offered to make you a partner. My people came to you about the shipping routes. You turned us down.
RED: I've never liked you.
FLORIANA: You never liked me because you're a wanted man living in the shadows, and I am not. I run my business, and I'm being wined and dined by the city's elite.

Red Laughing.

RED: I don't know how you do it... the duplicity. How does the devil in you contend with the angel ? I would have kicked her out years ago.
I would have kicked her out years ago.
FLORIANA: You can learn a thing or two from me, Raymond. I'm going to kiss that sweet, young FBI agent on the cheek and say, "good night," and then go down to docks and pick up my next shipment of girls.

Liz arrives at the room. There Dembe more than before.

LIZ: Hey ! Where's my agents ? (Gun cocks) Get out of my way.

Dembe opens the door. She come.

FLORIANA: Oh, Elizabeth! Thank God you're here ! This is the man. He's the one who wants me dead.
LIZ: You hired the freelancer. To do what ? Was it the champagne ? What's the headline gonna read ?
FLORIANA: "Italian dog born with two heads." No ? How about "humanitarian, exposed as fraud, commits suicide" ?
LIZ: What have you done?
RED: I didn't do anything.
I think the assassin may have slipped her a lethal cocktail of the same barbiturates she uses to drug her children.

Floriana realizes.

LIZ: What are you saying ?
RED: She's not the woman you think she is.
FLORIANA: You're a liar.
RED: Who's lying, Floriana ?
FLORIANA: Shut up, Raymond !
RED: Ooh, that was a mistake.
LIZ: You know him ?
FLORIANA: Everybody knows this son of a bitch ! 

Floriana collapses.

LIZ: I need a medic !
RED: You don't need a medic. I have the antidote right here.
LIZ: Give it to me!
RED: I'd be happy to, as soon as she admits the truth.
LIZ: Give it to me now! She's not breathing!
RED: Tell her the truth, Floriana.

Liz grabs a pen.

LIZ: This will help you breathe.
RED: Madam Campo doesn't free children from slavery. She imprisons them.
LIZ: I don't believe you.
RED: Don't be so naive. Floriana Campo is the largest distributor of enslaved children in the eastern hemisphere. Her foundation is a front to launder the profits of the Eberhardt cartel, which she runs. She's been eliminating the competition. Good God. The woman had her own husband murdered.
LIZ: Give me the antidote.
RED: All you have to do is tell her, Floriana. A simple nod will suffice.

Floriana nods. Red gives the antidote to Liz.

 

RED: What is with you in hotel rooms and pens in people's necks ?
RESSLER: What's happening ?
RED: Looks like she's dying. Definitely dying.

ON A PONTOON

RED: You look tired. Go home. Get some sleep. Unless you're avoiding your home.
LIZ: What would you have done if the antidote had worked on time ? It would have exposed you as our informant.
RED: There was no antidote.
LIZ: We've confirmed that Floriana Campo was running a fortune through the kowloon bank. You were right. The woman ran the Eberhardt cartel. Based on the information you gave us, we were able to intercept the shipment and rescue the girls.
RED: She preyed on the weak and the innocent while dressed in the wings of a savior. I detested everything about her.
LIZ: I had no idea. I mean, I just... I should have known.
RED: We never really know anyone, do we? What are you gonna do, Lizzy? About this situation with Tom? It seems you have two options. Either you turn him in or confront him. Or perhaps there's a third option.

He back.

KEEN'S HOUSE

Liz puts the box in place.

HOSPITAL

Tom wake up and look at Liz.

KEEN'S HOUSE

Liz take a new carpet.

HOSPITAL

Liz and Tom leave the hospital.

F.B.I. SPECIAL OPS DIVISION

Ressler makes its case in the locker room and sees that Dembe has the mark of the cartel on his shoulder.

KEEN'S HOUSE

Liz can not get to sleep. She gets up and goes to sit in the stairway. She has a flashback of Tom's aggression. She search into Tom's clothes bloody and finds the USB stick the talk for adoption. She's watching.

WOMAN: Tell us a little about Elizabeth.
TOM: Elizabeth? Uh, to me, she's always just been Lizzy. Uh, I remember the first time she brought up adoption before we ever thought about coming to see you guys. She was... she was so nervous. She tried to cook dinner, which was a complete disaster, because she's, uh, not the best cook. I think it was around my third bite of cold spaghetti, she just started to cry. I, uh... I don't know. I think she was afraid of disappointing me. But she looked me in the eye, a-and she told me the truth... that she didn't want to have a biological child, not with so many children in need of a loving family. She wanted to adopt. It was important to her. In that moment, I just... I-I don't think I've ever loved her more. She's... she's gonna be a great mom. I mean, she really is. I know that.

 

Ecrit par albi2302

Kikavu ?

Au total, 107 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

magrenat 
10.04.2019 vers 19h

KrimoRAR 
19.03.2019 vers 22h

LizMyLove 
02.01.2019 vers 16h

everrose 
10.11.2018 vers 18h

CelineAlba 
28.09.2018 vers 23h

Sabu14 
19.08.2018 vers 23h

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